II. ART iT: We were just discussing the “Approaches” (1987-88) series of early photocopy works and your fascination with the gray areas between opposing extremes, information and no information, the rational and irrational. In that sense I am curious toView More >
Yebisu International Festival for Art and Alternative Visions – TRUE COLORS 7 FEB – 23 FEB 2014 Tokyo Metropolitan Museum of Photography, and more http://www.yebizo.com/ Kimsooja A Needle Woman (2000-01) Yoko Asakai. Installation view of wayfinding (2014) Daisuke Bundo cassetteView More >
Lee Kit: By the way, 11 JAN – 8 FEB 2014 ShugoArts, Tokyo http://shugoarts.com/
Rieko Hidaka 14 DEC 2013 – 25 JAN 2014 Tomio Koyama Gallery, Tokyo http://www.tomiokoyamagallery.com/
Sudarshan Shetty: every broken moment, piece by piece 12 JAN – 2 MAR 2014 GALLERYSKE, New Delhi http://www.galleryske.com/
Subodh Gupta: Everything is Inside 17 JAN – 16 MAR 2014 National Gallery of Modern Art, New Delhi http://ngmaindia.gov.in/ Curated by Germano Celant
Provoke and Con-pora IV: Post Con-pora Expression The Con-pora photography of Japan has a characteristic that the original Con-pora photography could never have had. That is, an American flavor that was somewhat liberated from the prevailing sense of Japan atView More >
III. Suspended Agreement (2010), painted aluminium, transparent colored plexiglass, 5 x 300 x 200 cm. Installation view at Taro Nasu, Tokyo, 2013. Courtesy Liam Gillick and Taro Nasu, Tokyo. ART iT: The design of the door downstairs, with a frameView More >
A Restatement: The Art of ‘Ground Zero’ (Part 14) The decontamination of land and art I Shuji Akagi – 20120220 Fukushima Prefectural Library 2 (2012), lightjet print, 31.5 x 42cm. Courtesy Arataniurano and Yamamoto Gendai. Previously in this series, IView More >
Liam Gillick: Vertical Disintegration 28 NOV – 27 DEC 2013 TARO NASU, Tokyo http://www.taronasugallery.com/ All images: © Liam Gillick, Courtesy of TARO NASU, Tokyo. Photo: ART iT
II. Exhibition view, “A short text on the possibility of creating an economy of equivalence,” Palais de Tokyo, Paris, 2005. Photo © Daniel Moulinet, courtesy Air de Paris, Paris. ART iT: Earlier this year you presented the Bampton Lectures 2013View More >
Looking ahead not only to 2014 but even further to 2015 as well, as part of “Things Worth Remembering 2013” we have invited the artistic directors of two upcoming international exhibitions in Japan to exchange their views about the biennale/triennaleView More >