CINEMA OF CONSEQUENCE By Andrew Maerkle All images: Lav Diaz – Norte, the End of History (2013). © Raymond Lee & Lav Diaz. Born in 1958, Lav Diaz is known for his films depicting contemporary life in the Philippines throughView More >
CINEMA OF CONSEQUENCE By Andrew Maerkle All images: Lav Diaz – Norte, the End of History (2013). © Raymond Lee & Lav Diaz. Born in 1958, Lav Diaz is known for his films depicting contemporary life in the Philippines throughView More >
The Earthly Paradise Vol.7 Aki Yahata 15 FEB – 22 MAR 2014 gallery αM http://www.musabi.ac.jp/gallery/
THE SPACE BETWEEN 0 AND 1 By Andrew Maerkle Guide Star, ESO (2012). All images: Unless otherwise noted, © Wolfgang Tillmans, courtesy Wolfgang Tillmans and Wako Works of Art, Tokyo. One of the leading artists working with photography today, WolfgangView More >
II. ART iT: We were just discussing the “Approaches” (1987-88) series of early photocopy works and your fascination with the gray areas between opposing extremes, information and no information, the rational and irrational. In that sense I am curious toView More >
Yebisu International Festival for Art and Alternative Visions – TRUE COLORS 7 FEB – 23 FEB 2014 Tokyo Metropolitan Museum of Photography, and more http://www.yebizo.com/ Kimsooja A Needle Woman (2000-01) Yoko Asakai. Installation view of wayfinding (2014) Daisuke Bundo cassetteView More >
Lee Kit: By the way, 11 JAN – 8 FEB 2014 ShugoArts, Tokyo http://shugoarts.com/
Rieko Hidaka 14 DEC 2013 – 25 JAN 2014 Tomio Koyama Gallery, Tokyo http://www.tomiokoyamagallery.com/
Sudarshan Shetty: every broken moment, piece by piece 12 JAN – 2 MAR 2014 GALLERYSKE, New Delhi http://www.galleryske.com/
Subodh Gupta: Everything is Inside 17 JAN – 16 MAR 2014 National Gallery of Modern Art, New Delhi http://ngmaindia.gov.in/ Curated by Germano Celant
Provoke and Con-pora IV: Post Con-pora Expression The Con-pora photography of Japan has a characteristic that the original Con-pora photography could never have had. That is, an American flavor that was somewhat liberated from the prevailing sense of Japan atView More >
III. Suspended Agreement (2010), painted aluminium, transparent colored plexiglass, 5 x 300 x 200 cm. Installation view at Taro Nasu, Tokyo, 2013. Courtesy Liam Gillick and Taro Nasu, Tokyo. ART iT: The design of the door downstairs, with a frameView More >
A Restatement: The Art of ‘Ground Zero’ (Part 14) The decontamination of land and art I Shuji Akagi – 20120220 Fukushima Prefectural Library 2 (2012), lightjet print, 31.5 x 42cm. Courtesy Arataniurano and Yamamoto Gendai. Previously in this series, IView More >