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Gabriel Orozco, Pt. I

INELUCTABLE MODALITY By Andrew Maerkle La DS Cornaline (2013), installation view in “Gabriel Orozco: Inner-Cycles” at the Museum of Contemporary Art Tokyo, 2015. Photo ART iT. One of the most significant artists to have emerged internationally since the start ofView More >

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Critical Fieldwork 50

From Karatsu, to Karatsu – The Adventures of Yasumoto Kajiwara (Part 2) Hearing that Kajiwara favors using “materials and firing methods of the time,” you can imagine just how difficult the creative process is, but Kajiwara’s methods are always clear-cutView More >

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Critical Fieldwork 49

From Karatsu, to Karatsu – The Adventures of Yasumoto Kajiwara (Part 1) Japanese contemporary ceramics originate from two movements that developed in the 1920s and ’30s; namely, the mingei (folk craft) movement founded by Soetsu Yanagi (1), and the MomoyamaView More >

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