Interviews
Features: TEXT
FEATURES I. Yutaka Sone: The Patience of Materials Yutaka Sone is best known for his marble sculptures of landscapes ranging from Hong Kong Island to imagined alpine scenes, as well as his “snow flake” works in crystal. However, employing materialsView More >
Tadasu Takamine
From the Mouth or in the Mouth but not of the Mouth – Words and Objects By Andrew Maerkle Installation view of Too Far to See (2011) at the Yokohama Museum of Art; ceramic, computers, projectors, speakers, mirrors; sound programmingView More >
Danh Vo: (Autoerotic Asphyxiation)
Installation view of Danh Vo’s solo exhibition “Autoerotic Asphyxiation” at Artists Space, New York, 2010. Photo Daniel Pérez, courtesy Artists Space. (Autoerotic Asphyxiation) ART iT: What are you doing for your exhibition at Artists Space in New York? DV: It is my firstView More >
Danh Vo: Index
A Five-Part Dossier on How Things Live By Andrew Maerkle In August 2010 ART iT met with the artist Danh Vo in Los Angeles, where he was preparing material for his first ever solo show in the US at ArtistsView More >
Danh Vo: (Perversion)
Installation view of the solo exhibition “Where the Lions Are” at Kunsthalle Basel, 2009; foreground: 08:03:51, 28.05.2009 (2009), late 19th-century chandelier from the ballroom of the former Hotel Majestic, Avenue Klèber, Paris. Photo Serge Hasenböhler. All images: Unless otherwise stated,View More >
Danh Vo: (Intimacy)
Galoppa! (2009), installation view in the solo exhibition “Last Fuck” at Galleria Zero, Milan, 2009. Work details: one saddle, two framed documents (the riding saddle of bishop Peter Tran Thanh Chung who ministered to the indigenous people in the CentralView More >
Yutaka Sone: Part III
III. Sculpting in Time Left: Yutaka Sone, photo Grant Delin. Right: Photo of Little Manhattan (2010) under production at Yutaka Sone Studio, Chongwu. All images: Unless otherwise noted courtesy Yutaka Sone and David Zwirner, New York. ART iT: You justView More >
Danh Vo: (Literacy)
2.2.1861 (2009- ), last letter of Saint Théophane Vénard to his father before he was decapitated, copied by Phung Vo, ink on paper, 29,6 x 21 cm (title and number of existing copies remains undefined until the death of PhungView More >
Yutaka Sone: Part II
II. Material/Film Top: Detail of Storyboard for Never Ever Movie (2000), marker, charcoal and paint on paper, 192.4 x 241.3 cm. Left: Detail of Hong Kong Island (Chinese) (1998), carved marble, 65 x 120 x 80 cm. Right: Still fromView More >