2.2.1861 (2009- ), last letter of Saint Théophane Vénard to his father before he was decapitated, copied by Phung Vo, ink on paper, 29,6 x 21 cm (title and number of existing copies remains undefined until the death of PhungView More >
Interviews
Yutaka Sone: Part II
II. Material/Film Top: Detail of Storyboard for Never Ever Movie (2000), marker, charcoal and paint on paper, 192.4 x 241.3 cm. Left: Detail of Hong Kong Island (Chinese) (1998), carved marble, 65 x 120 x 80 cm. Right: Still fromView More >
Miranda July
You Are Doing Good My Dear By Andrew Maerkle Concept sketch for Eleven Heavy Things (2009/10). All images: Unless otherwise noted, courtesy Miranda July. Documentation of an email correspondence with Miranda July, January 1-20, 2011, compiled into interview format: ARTView More >
Yutaka Sone: Text
In advance of our interview with Yutaka Sone, the editors of ART iT were asked to submit a list of questions for the artist. Sone, in turn, transformed the list of questions into a space for artistic intervention, modeling hisView More >
Yutaka Sone: Part I
The Patience of Materials By Andrew Maerkle and Natsuko Odate Installation view of the exhibition “Perfect Moment” at Tokyo Opera City Art Gallery, 2011. Photo Keizo Kioku, courtesy Yutaka Sone and David Zwirner, New York. Yutaka Sone is best knownView More >
Danh Vo: (Cruising)
Cultural Boys, Saigon, 1962, from the installation “Good Life” at Isabella Bortolozzi, Berlin, 2007. Courtesy Danh Vo and Galerie Isabella Bortolozzi, Berlin. (Cruising) ART iT: Who do you stay with in Pacific Palisades? DV: I stay with this American guyView More >
Christian Marclay: The Clock
By Andrew Maerkle All images: Still from The Clock (2010), single-channel video, 24 hours. © Christian Marclay, courtesy White Cube, London. Produced over the course of two years, Christian Marclay’s The Clock (2010) combines clips from thousands of films intoView More >
Things Worth Remembering 2010: Index
Things Worth Remembering 2010 Memory rarely behaves the way we expect. Often, it is the things that at first seem incidental that take on greater significance over time, while those that initially seem impressive can fade to the margins. PressedView More >
Katsuhiro Yamaguchi: Interview
EVERY FUTURE LEADS TO ITS OWN PAST By Andrew Maerkle and Natsuko Odate Still from Adventure of the Eyes of Mr WS, a Test-Pilot (1953/86), video, 4 min 55 sec. © Katsuhiro Yamaguchi, Courtesy Taka Ishii Gallery. Throughout a careerView More >
Katsuhiro Yamaguchi: Imaginarium
IMAGINARIUM (1981) The below is a revised translation of the version of this text that appears in English and Japanese in the monograph Yamaguchi Katsuhiro 360º (Rikuyosha, 1981). Diagram for the video performance Eat (1972), conducted at the exhibition “VideoView More >
Katsuhiro Yamaguchi: Experiment on Imaginarium
EXPERIMENT ON IMAGINARIUM (1977) The below is a revised translation of the version of this text that appears in English and Japanese in the monograph Yamaguchi Katsuhiro 360º (Rikuyosha, 1981). All images: © and courtesy Katsuhiro Yamaguchi. When and ifView More >
Yeondoo Jung: Part II
II. Retrograde Parlor Tricks Yeondoo Jung on the illusory limitations of digital effects. Location #5 (2006), C-print, 116.8 x 240 cm. All images: Courtesy the artist and Kukje Gallery, Seoul. ART iT: We were just talking about your two video-performanceView More >