Yebisu International Festival for Art & Alternative Visions 2025—Docs: Images and Records @ Tokyo Photographic Art Museum, Yebisu Garden Place, affiliated local facilities, etc. - Photo Report

Yebisu International Festival for Art & Alternative Visions 2025—Docs: Images and Records
January 31－February 16, 2025
Commission Project: January 31－March 23, 2025
Tokyo Photographic Art Museum, Yebisu Garden Place, affiliated local facilities, etc.
https://www.yebizo.com/en/
Curator: Hiroko Tasaka, Yu-Hsuan Chiu and Keishi Mitsui (Curator at the Tokyo Photographic Art Museum)

Tony Cokes, The Queen is Dead ⋯ Fragment 2 (2019)

Tony Cokes, Evil.66.2 (DT.sketch.2.7) (2016)

Eri Makihara, Three Times (2025)

Kaori Oda, installation view, “Yebisu International Festival for Art & Alternative Visions 2025—Docs: Images and Records,” Tokyo Photographic Art Museum, Tokyo, 2025

Kaori Oda, Recording with Mother, ‘Working Hands‘ (2025)

Kaori Oda, Mindscape (2025)

Haruka Komori, Spring, On the Shores of Aga (2025)

Haruka Komori, installation view, “Yebisu International Festival for Art & Alternative Visions 2025—Docs: Images and Records,” Tokyo Photographic Art Museum, Tokyo, 2025

Kosuke Nagata, Fire in Water (2025)

Tony Cokes, The Queen is Dead ⋯ Fragment 2 (2019)

Priyageetha Dia, installation view, “Yebisu International Festival for Art & Alternative Visions 2025—Docs: Images and Records,” Tokyo Photographic Art Museum, Tokyo, 2025

Priyageetha Dia, The Sea is a Blue Memory (2022)

Priyageetha Dia, liquid.vision_nil.land (after MalayaRubberPlantation, Getty) (2022)

Apichatpong Weerasethakul, installation view, “Yebisu International Festival for Art & Alternative Visions 2025—Docs: Images and Records,” Tokyo Photographic Art Museum, Tokyo, 2025

Apichatpong Weerasethakul, BOX III, Seven Hours (2024)

Tari Ito, installation view, “Yebisu International Festival for Art & Alternative Visions 2025—Docs: Images and Records,” Tokyo Photographic Art Museum, Tokyo, 2025

Kawita Vatanajyankur, A Symphony Dyed Blue (2021)

Yuki Hayashi, landscape -quiet time (2023-2024)

Taku Furukawa, installation view, “Yebisu International Festival for Art & Alternative Visions 2025—Docs: Images and Records,” Tokyo Photographic Art Museum, Tokyo, 2025

Toshiya Tsunoda, installation view, “Yebisu International Festival for Art & Alternative Visions 2025—Docs: Images and Records,” Tokyo Photographic Art Museum, Tokyo, 2025

Andy Warhol, Untitled (1976-1986)

Taku Furukawa, installation view, “Yebisu International Festival for Art & Alternative Visions 2025—Docs: Images and Records,” Tokyo Photographic Art Museum, Tokyo, 2025

Taku Furukawa, Imazoo (c.1979/2025)

Installation view, “Yebisu International Festival for Art & Alternative Visions 2025—Docs: Images and Records,” Tokyo Photographic Art Museum, Tokyo, 2025

Gary Hill, Remarks on Color (1994)

Installation view, “Yebisu International Festival for Art & Alternative Visions 2025—Docs: Images and Records,” Tokyo Photographic Art Museum, Tokyo, 2025

from Right: Michel Foucault, This is not a pipe (1973 (first edition)), Masaki Fujihata, This is not a pipe. Ver MF. (2024)

Masaki Fujihata, installation view, “Yebisu International Festival for Art & Alternative Visions 2025—Docs: Images and Records,” Tokyo Photographic Art Museum, Tokyo, 2025

Masaki Fujihata, Capture in Half (2016)

Masaki Fujihata, Beyond Pages (1995)

Installation view, “Yebisu International Festival for Art & Alternative Visions 2025—Docs: Images and Records,” Tokyo Photographic Art Museum, Tokyo, 2025

Marcel Broodthaers, The Rain (Project for a text) [La Pluie (Project pour un texte)] (1969)

Shigeru Matsui, The Voices of Time (2010)

Hiroshi Sugimoto, installation view, “Yebisu International Festival for Art & Alternative Visions 2025—Docs: Images and Records,” Tokyo Photographic Art Museum, Tokyo, 2025

William Henry Fox Talbot, installation view, “Yebisu International Festival for Art & Alternative Visions 2025—Docs: Images and Records,” Tokyo Photographic Art Museum, Tokyo, 2025

Julia Margaret Cameron, installation view, “Yebisu International Festival for Art & Alternative Visions 2025—Docs: Images and Records,” Tokyo Photographic Art Museum, Tokyo, 2025

Eri Saito, Social Circles (2023)

Eri Saito, See you agein (2015/2022)

Liu Yu, If Narratives Become the Great Flood (2022)