12th Berlin Biennale – KW Institute for Contemporary Art (1)

12th Berlin Biennale
11 JUN – 18 SEP 2022
https://12.berlinbiennale.de/
Curator: Kader Attia

KW Institute for Contemporary Art

 

Nil Yalter, Exile Is a Hard Job (1983/2022)Nil Yalter, Exile Is a Hard Job (1983/2022)
Nil Yalter, Estranged Doors (1983)Nil Yalter, Estranged Doors (1983)
Mathieu Pernot, The Gorgans (1995-2015)Mathieu Pernot, The Gorgans (1995-2015)
Mathieu Pernot, The banks of the river (2017)Mathieu Pernot, The banks of the river (2017)
Nil Yalter, Judy Blum, Nicole Croiset, La Roquette, Women’s Prison (1974-75)Nil Yalter, Judy Blum, Nicole Croiset, La Roquette, Women’s Prison (1974-75)
Nil Yalter, Judy Blum, Nicole Croiset, La Roquette, Women’s Prison (1974-75)Nil Yalter, Judy Blum, Nicole Croiset, La Roquette, Women’s Prison (1974-75)
Installation view “12th Berlin Biennale”, KW Institute for Contemporary Art, Berlin, 2022Installation view “12th Berlin Biennale”, KW Institute for Contemporary Art, Berlin, 2022
João Polido, Replica Song (2022)João Polido, Replica Song (2022)
Alex Prager, Women Now (2018/22)Alex Prager, Women Now (2018/22)
Jeneen Frei Njootli, Thunderstruck (2013/22)Jeneen Frei Njootli, Thunderstruck (2013/22)
Susan Schuppli, Icebox Detention Along The US-Mexico Border (2021–22)Susan Schuppli, Icebox Detention Along The US-Mexico Border (2021–22)
Ariella Aïsha Azoulay, The Natural History of Rape (2017/22)Ariella Aïsha Azoulay, The Natural History of Rape (2017/22)
Ariella Aïsha Azoulay, The Natural History of Rape (2017/22)Ariella Aïsha Azoulay, The Natural History of Rape (2017/22)
Antonio Recalcati, Enrico Baj, Erró, Gianni Dova, Jean-Jacques Lebel, Roberto Crippa, Large collective antifascist painting (1960)Antonio Recalcati, Enrico Baj, Erró, Gianni Dova, Jean-Jacques Lebel, Roberto Crippa, Large collective antifascist painting (1960)
Declaration on the Right to Insubordination in the War in Algeria (The Manifesto of the 121)Declaration on the Right to Insubordination in the War in Algeria (The Manifesto of the 121)
Deneth Piumakshi Veda Arachchige, Self-Portrait as Restitution – from a feminist point of view (2020)Deneth Piumakshi Veda Arachchige, Self-Portrait as Restitution – from a feminist point of view (2020)
Simone Fattal, In Our Lands of Drought the Rain Forever Is Made of Bullets (2006)Simone Fattal, In Our Lands of Drought the Rain Forever Is Made of Bullets (2006)
Mayuri ChariMayuri Chari
Mayuri ChariMayuri Chari
Installation view “12th Berlin Biennale”, KW Institute for Contemporary Art, Berlin, 2022Installation view “12th Berlin Biennale”, KW Institute for Contemporary Art, Berlin, 2022
Installation view “12th Berlin Biennale”, KW Institute for Contemporary Art, Berlin, 2022Installation view “12th Berlin Biennale”, KW Institute for Contemporary Art, Berlin, 2022
Installation view “12th Berlin Biennale”, KW Institute for Contemporary Art, Berlin, 2022Installation view “12th Berlin Biennale”, KW Institute for Contemporary Art, Berlin, 2022
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