A Restatement: The Art of ‘Ground Zero’ (Part 15) The decontamination of land and art II Shuji Akagi – 20130106 Fukushima City Concert Hall (2013) Shuji Akagi is a former painter. Actually, he is still an artist, although he noView More >
Noi Sawaragi
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A Restatement: The Art of ‘Ground Zero’ (Part 14) The decontamination of land and art I Shuji Akagi – 20120220 Fukushima Prefectural Library 2 (2012), lightjet print, 31.5 x 42cm. Courtesy Arataniurano and Yamamoto Gendai. Previously in this series, IView More >
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A Restatement: The Art of ‘Ground Zero’ (Part 13) Nukes and Niigata – Addendum III The five children of Hidenaga, fourth generation of the Yoshihara Photographic Studio (1936), from “SPIRAL LIFE – 140 Years of the Yoshihara Family” (2011). PhotoView More >
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A Restatement: The Art of ‘Ground Zero’ (Part 12) Nukes and Niigata – Addendum II The Kanbara region of Niigata in earlier days. “Transformed into a lake following collapse of the Hisoyama drainage canal. From Hakusan looking toward Tagoshima,” fromView More >
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A Restatement: The Art of ‘Ground Zero’ (Part 11) Nukes and Niigata – Addendum I Installation at Yukihiro Yoshihara’s solo exhibition “Pleasure Dome” (1989) at Spiral Garden, Tokyo, 100 television monitors, five video projectors, 600 x 600 x 700 cm.View More >
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Painter and ‘counterfeiter’ – On ‘Makoto Aida: Monument for Nothing’ (Part 3) Aida Makoto + 21st Century Cardboard Guild – Monument for Nothing II (2000-). Installation view: Mori Art Museum, 2013. All images: Courtesy Mizuma Art Gallery. Caught betweenView More >
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Painter and ‘counterfeiter’ – On ‘Makoto Aida: Monument for Nothing’ (Part 2) Aida Makoto – Dog (Snow) (1998), mineral pigments and acrylic on Japanese paper and board, 73 × 100 cm. Photo Kei Miyajima, © Makoto Aida, courtesy Mizuma ArtView More >
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Painter and ‘counterfeiter’ – On ‘Makoto Aida: Monument for Nothing’ (Part 1) Installation view of “Aida Makoto: Monument for Nothing” at the Mori Art Museum. Courtesy Mizuma Art Gallery. Photo Osamu Watanabe, courtesy Mori Art Museum. The exhibition “Makoto Aida:View More >
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A Restatement: The Art of ‘Ground Zero’ (Part 10) Nukes and Niigata III Anne Graham – Shinohara’s House (2012) Installation view at the Kozaburo Shinohara House, Gokahama, Niigata. Photo courtesy the Water and Land – Niigata Art Festival organizing committeeView More >
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Takashi Azumaya – the ‘being and temperature’ Shinro Ohtake – Dub-Hei & New Chanel (1999) (detail). Installation view at “Art/Domestic – Temperature of the Time” (Setagaya Art Museum, Tokyo) Photo: Masataka Nakano, courtesy Setagaya Art Museum. The independent curator TakashiView More >