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Shiga Lieko

Interview: Sumitomo Fumihiko Leaping to another solid reality pictured in my mind My first introduction to photography was a compact camera with an auto-focus function that I used for my high school sports day. After the event, there was stillView More >

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Hachiya Kazuhiko

Interview: Sumitomo Fumihiko – One of the biggest influences that visual images have is that they enable us to see how others view the world. In the fields of science and media theory, this idea of multiple viewpoints is increasinglyView More >

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Konoike Tomoko

One doesn’t have to be an adventurer to have little adventures; and there’s something about doing that we all secretly enjoy. Tales woven by a ferocious, untamed natural world, by mute creatures: the realm of Konoike Tomoko’s works moves betweenView More >

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William Kentridge: part 2

The work becomes a reflection of who makes it. William Kentridge, a towering presence on the arts scene known for his charcoal and pastels ‘drawings in motion’, was born and raised a Jew in apartheid-era South Africa. A drama studentView More >

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William Kentridge: part 1

The absurd as dislocated logic, which is the only way to make sense of the world. William Kentridge, a towering presence on the arts scene known for his charcoal and pastels ‘drawings in motion’, was born and raised a JewView More >

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Shirin Neshat (2006)

Once you get involved with teamwork, it’s automatically a collaborative process Portrait Marlene Marino Shirin Neshat’s work continuously refers to the binary correlations of home and exile, solitude and solace, culture and gender, spanning pre- and post-Islamic revolution Iran. HereView More >

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Has the Asian art market recovered?

Installation view of Best of Discovery at ShContemporary 2008  Courtesy ShContemporary What kind of impact did the ‘Lehman Shock’ of September 2008 have on the art market? Has the market recovered from this impact or not? How have the purchasing habitsView More >

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