The shape of the Japanese beauty Katsushika Hokusai

Katsushika Hokusai was a genius in a deformation of a motif.
Of the work by which it's Hokusai that this thing was the outstanding power more than Utamaro and Hiroshige who were playing an active part then, too, I'm going to prove it.
The shape which is Mt. Fuji in particular. Wave. Cloud.

And a deformation on every direction influence Chinese phoenix figure of Nagano-ken Obuse proves that clearly.
I scowl at every direction by one of eyes of a Chinese phoenix.
That's reeled off the shape of the eyes and the size.

Hokusai's deformation is different from a deformation of western art.
A deformation of western art makes them understand last shape, but by taking the shape apart theoretically Hokusai's deformation is a sensuous deformation.

For example of the male penis from which this is judged by pornography, it becomes huger, it's that, Mt. Fuji. Cloud. Wave.
The shape is being completed from the fear-like impression by which the natural phenomenon which says so gives it to a person.
This is a kind of mental abstraction expression.

It's said that it was the existence by which this as well as Western countries are a Japanese abstraction expression when I'll do that, it'll be.
But it's necessary to consider this apart from Western abstraction theory.
I'd like to consider at the neighborhood once again.

Another person isn't also supposed to overlook Ogata Korin's deformation.
The manner of the arrangement which can't call that Korin design for example is an iris figure, the shape of the river on a red and white plum figure and such deformation, it isn't in my knowledge whether it's being treated by history of fine arts, but because I'm born in the Oriental spirit, religion and thought and have come more than this is considered on the artistic thought, however necessary it be on earth to look for the neighborhood deeply.
The place I tell about the ability of Hokusai's deformation has even taken out Korin.