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チェックと日本の現代美術界についての感想

PoNJA-GenKon

2010年3月25日

Atsuko Tanaka, Electric Dress (1957)

It is always good to know that someone is taken good scholarly care of Post-War and Contemporary Japanese art in the US. PoNJA-Genkon (Post-1945 Japanese art Discussion Group / Gendai Bijutsu Kondankai) is the dynamic list-serve and on-line community, co-founded by New York based curators Reiko Tomii and Miwako Tezuka. The group provides an unmatched forum for English language speakers wishing to discuss and debate issues concerning Japanese avant-garde since the war and its relation to ideas of Japanese modernity.

Beginning on 27th March at the University of Michigan Museum of Art, the exhibition ‘Art, Anti-Art, Non-Art: Experiments in the Public Sphere in Post-War Japan’ will highlight this dynamic period in Japanese art, which continues to inspire younger artists. The show will cover artistic groups such as Gutai, Group Ongaku, Tokyo Fluxus, Neo-Dada, Hi Red Center, Vivo and others.

I missed the show in 2007 when it was first produced at the Getty Centre/UCLA. A very smart volume edited by Charles Merewether and Rika Hiro was produced at the time. This time round, the show is launched on 2nd-3rd April by a conference that will focus on the 1960s and feature a special performance by New York based artist Ei Arakawa.

Those interested in the symposium events or the exhibition should consult these websites:

http://www.ponja-genkon.net/AboutPoNJA.html

http://www.umma.umich.edu/programs-and-tours/april.html#2

or contact Reiko Tomii via the PoNJA website.

ADRIAN FAVELL
http://www.adrianfavell.com

みんなからのコメント

wow, what a rare photograph! fantastic ^し^
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Mario A / 亜 真里男
2010/03/25 01:57

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