daily life with art

It's a reshuffle, isn't it?

NA which would like to know whether the expert who writes for ARTiT and people related to fine arts think how.

With the selling point of, oh, GOI thinks a topic is the miscellaneous thought which slips entirely, the talk closer entirely than 9.11.

The small mass who also includes the all people which are contemporary art business and has a meal by a cool air bower in Kiyosumi garden, 催行.

Each is fine arts clearly as the point of tact by which they gather, I think so only an attractive person was the refreshment which may be able to spend fun time even if it was done without such one.

I didn't know the one by which Kiyosumi garden is the place Iwasaki Yataro is biting, too. If I think a famous place, while it's a passed place when going to a clear complex, I think that there are a lot of people from whom an assembly hall doesn't learn that I have that, too.

There was taste different from usual again because of the rain, but the place where what one feels good and is here a season of a good flower of the climate is the day when they were collected? Reservation is serious the season only in that, but it's also recommended to use it for some's gathering once.

I think a matter is necessary to keep existing, the work which is right in front of now meets, will it be the act which diminishes someone's passion to think the existence it's worth leaving for which?

My life is confronted with the work how many can't be bought even if I have that, and I'll think while passing through 1000 forests of a work of the scale. Whether there is a work enough for criticism, not that a critic isn't enough, how, of.

When I say that I now don't seem to need a difficult word and a difficult concept for now or contemplate a matter tightly, the appearance is difficult, if, I think I can talk by the level which can be understood, so I meet, I'd like to plot in order to spread understanding and sympathy as much as possible. Even if that isn't needed.

Or when Mr. Masakata Matsuoka published a book about Mr. Shizuka Shirakawa, when even a thing as much as Mr. Shirakawa doesn't make an effort, anyway management can't understand Mr. Shirakawa's word, oh was seen, stay here, a fact was being talked about, but I think that's also in truth's own way. The meaning that the manual book flooded with the world tells is an original text and, it's identical, for, it's in an impossible flow.

BOYAKI setback stop. I'm sleepy.

By a beauty, a character, badly, if I'm good-natured like being all right, charm is also the character by which its character is an author since training and putting it in the work of fine arts, and the academic definition which spring in 不, and they're fine arts indeed-lessness and of I wasn't here, and it might be originality and the one I say somehow, but when seeing something avant-garde and new, a nose "isn't understood" if I don't reject and thinks maybe you may try to know its meaning suddenly more generally. If I'm here together, there is also NO for comfortable air and.

Even if it's talk of the point of view of something as an individual to the end, it's because it isn't understood, you don't find interest and how long you know the neighbor who loves when rubbing.

Because you also have an influence on the craving to which I say whether you're no one when because I keep walking, the strange triggers I meet are the translations found, and I'd like to find the author work which should be loved really for itself, big of course outside the fine arts, I keep putting a batch as free "I like fine arts." on the chest and walking now.

Please make someone the batch with saying so.

You assume that that is anyway, and I think that Giacometti's knocking down was a wonderful thing.



It's different from the conventional bazaar form in the art fair opened to the public on a private view, the 30th and the 31st on January 29 "G-tokyo 2010" at a forest arts center gallery (about 1 downstairs in a forest art museum) as the event site, and what is it said that the new art fair which also developed the booth by plan exhibition with each gallery is? It can probably be said that a submitting gallery is full of 15 and a selection in the Metropolitan area where I have the experience every gallery submitted to overseas big fairness. One went to a private view.

There are several people of people like an art fair manager in on the work and the life and the neighborhood, but placing by the existence as the first point which hold an art fair (except for the pure reason that a work of fine arts is called the place where exhibition sale is done) and the art fair which can be put in the present-day art history isn't understood at all, so the differences with the former fairness and the goals which contemplated future, etc. can't be understood so much, and I make it in distress. Oh, I think only that which was performed by the shape that the people who can do can do the thing which can be done (It was necessary to limit a submitting gallery for it.) is a clapping thing.

Exhibition along a plan was turning around during the space it was set aside, and where it gets widely during the personal head who says so, so it might be easy to think to be refreshed. It had faded away, but (The memory was weak originally.) the degree which has passed for several days was just left for the memory so that it could be said what was exhibited at which gallery at the sky even if there were no catalogs in hand. Even if a work is called fairness for the body which can't be bought by the fair ball such high-end feeling does, it'll be a part of art appreciation, so strong impressions are the translations with which the person who had that gets in touch satisfactorily so that a word can wake you up later. That it's wasteful that every gallery was exhibition of limitation for 3 days only in that.

That Wako Works Of Art was an exhibition of great master Gerhart Richter for its being made "OO!" most about the submitting contents. 1 big painting and the work by which an abstract painting is given to a picture are much. Because everything is Richter, the surprised price! Richter's exhibition also started more than 5 days at gallery space, but there were no cases that Richter's work was judged by the exhibition form after I began to have an interest in fine arts personally, so I enter a meeting place, and a heart has been excited.

Additionally with the gallery where an overseas author was treated.Since doing, are they Thomas demand and that place of Oyanagi's ANISSHU of Ola Far, ERIASON and the sky bus house KAPUA and TAKAISHIIGYARARI? It's a thing valuable for shallow oneself of 歴 that every work can be seen directly, and that the stage is the fortune to which the one as an art fair is also fascinating again. I was informing my friend of Thomas demand persistently as a these days loving author, so a raindrop was the picture work to which the form which falls is expressed by wrapping paper of a candy realistically, but it was good that the chance to see a work actually could be made.

By the exhibition which may be one attraction of fairness of the plan exhibition form, Akira Yamaguchi (MIZUMA), Ryan gander (TAROUNASU) and Koji Nishio (Yamamoto, today) and all that. Mr. Yamaguchi seems to have been done as it is in the booth as much as possible during a fair period, and an acquaintance seems to have got a signature. A work, not to mention, that your face is also cool.

The Japanese author who enters an expert from the core and submitting of a work were also striking, but Kouhei Nawa (the sky), Naoya Hatakeyama (TAKAISHII), Nishino and others (ARATANIURANO) and Hiroshi Sugimoto (Oyanagi) also added the variation and a spectacle to a work for the fresh author of the young people who feels like introducing using a picture here such as Keiji Izumi (ARATANIURANO), Yuusuke Saito (side 2) and Taro Izumi (Hiromi Yoshii) fairly.

Because I don't know whether it can be what which connects them with the world this fairness is by the translations which are also submitting to overseas fairness energetically with each gallery and also have the chance even a young author exposed to foreign countries already, they're the translations by which I think their existence should also brand many visitors by itself.

I have done impressions of an art exhibition rather than fairness from beginning to end by saying so, but I think as they were the very fascinating contents when seeing as an event. Of whether an art fair is the certain which is as fairness if some responses which become an axis in themselves are found, they seem able to estimate, I think it'll be.

There is also recommendation, my friend, and it's to VACANT which is much more the second time. Even if I said the second time, exhibition couldn't be judged from convenience in time the first time, so I didn't know the condition of the exhibition space, that structure is good, isn't it? It's also a rent space, so I feel like inciting a friend in an event shop.

I went to Hanayo's exhibition. Even if I say so, I have that until February 5, so can't NETABARE be written? A picture was good. A picture was good. It's strange that I thought it was good though it was the element which isn't in itself. I'm Mr. Akiyoshi Mishima as fiducial point in myself, there is weight by the feeling different again with Mr. Mishima, and. I don't know whether it's one's own valve, but it's also striking (It was oneself-like.) that the installation to start "sympathy Satoru-like experience" seemed very fun. Even if I'm sympathy Satoru, there is a place where I think to being that in "Tokyo".

I paid attention to the "location" where a performance was developed to a picture work as well as admiration to the element one doesn't have. It may be the one which had only no those places and to do that expression when I think of the eye which does the smell (A famous place, and.) and the choice from which the location with the centripetal force which makes think or I'd like to go if that place is somewhere in Japan, (A site is also fine of course.) is chosen, is the translations by which I think maybe Hanayo is a nice author so.

Different exhibition (http://hanapoo.blogspot.com/2010/01/blog-post_21.html) starts again at Asakusa-bashi from the 11th. I think I go to see.

Hanayo's ARTiT blog-> http://www.art-it.asia/u/ab_hanayo/ I also went to SCAI THE BATHHOUSE, an emerging hall, RAT HOLE GALLERY and hpgrp gallery Tokyo today-,-,-, with.

An article is being written while letting DEMERU run for REMY MARTIN.
It's until it's bought by oneself if Valentine can't have this.
When I'm Valentine, it seems that wonderful live broadcasting by my attractive elder brothers is scheduled for 13 days on 1 day before in the magic room.

■ 29 days I break in a private view of G-tokyo2010. Space may be wide. It was an exhibition and submitting unified in the plan exhibition form, so I tended to be refreshed and see. It was Great that a wasteful exhibition and a work by an overseas famous author could be seen much so often to hold for 3 days because I didn't also have a work of the high-end price range until I went out to the act one buys at this meeting place much. After seeing one hundred million units of Richter's work, I have a meal in the evening in SAIZE.

■ 30 days I look stealthily at the first day of Mancy's Tokyo Art Nights at Azabujuban. A man seeds is a luxurious karaoke house. It was the interior which bears comparison with the hotel type art fair, but the atmosphere is a karaoke house. A long time keeps twiddling Mr. Kageyama who is also the winner of Taro Okamoto modern art prize who was in the room on an auction relation.

I was burning with a work fascinating to the material and technique-like with my friend who was going around together at here. Of Mr. Kazuhiro Ito of hpgrp, Ms. Etsuko Taniguchi and Mr. Kazuhiro Furuya of WADAFAINATSU. NAA where amusement which also shows that the explanation cries is good as expected. A submitting author from WADAFAINATSU and Mr. Takashi Tsuchiya are caught by force, and, PASHARI. I'm having carrying leave just in case about a person with pictures here of course.

If I'm waiting following yesterday's fairness, talking with the RU persons concerned of fine arts who recognize a face at the inside of the hall, you introduce Mr. Vivian Sato. It was the soft good one of a demeanor. Additionally you open a gallery newly/opened person was in probing, too, so I greet. I'm nearly involved by a Japanese expert director in English conversation and run away in the booth in a gallery of foreign countries. Useless, here.

Without also eating a finger hood, I was talking with a person, so that I got hungry with my friend by return train, I yell.

■ 31 days It's in Azabu again with Roppongi. The exhibition by which I'm Mr. Nana Huuno while my friend is seeing G - tokyo, in Art and a design center. At Tomio Koyama gallery and Kyoto, workThere should be a thing which released items, and I wanted to see a work directly once, so it was a good chance. I flow, a man seeds for 2nd day. I see a work carefully and ask a director in a submitting gallery a detailed account at night in the first day once more at a meeting place which isn't more crowded each other than the other day, and. I'll talk with my friend about enjoyment on this 2nd while drinking beer by 1F and.

After seeing fine arts at a luxurious karaoke house in Azabujuban, I eat an origin box lunch and sleep.

No, it's only that freely.

It was the weekend when I went to an art fair variously, it seems to take time before I mediate, doesn't it?

I take notes and it's suitable.

I think it's little whether it's New Year's fatigue. Kent Ridge exhibition was good which isn't different in rumor.
They're about 2 fair balls in the end of the month that you can go also-, right?


William Kent Ridge exhibition@ National Museum of Modern Art, Tokyo I deal with Rebecca French horn exhibition somehow luxuriously,@ Tokyo Metropolitan Museum of Photography from the permanent exhibition@ Museum of Contemporary Art, Tokyo Ichikawa Takafumi exhibition@ foil gallery Haruho Manda exhibition "free"@ RADIUMURENTOGENVERUKEGURUPU exhibition "sincere grass"@ oak Motohiko Otani exhibition@ maison HERMES Soya morning picture exhibition@ Shiseido gallery Fuyuki Maehara exhibition@ YOKOIFAINATO permanent exhibition? @ Gallery side 2 TAKENINAGAWA Depressed Yumiko exhibition @GP gallery Kazuyoshi Miyoshi exhibition@ Miyaji Hall of WACO Practice exhibition@ Dai-ichi Mutual Life Insurance south gallery Yoshio Ogawa exhibition@, GYARARITERASHITANADIFFUGYARARI.

If there is incompleteness in the contents, I don't go, so I think the person who takes an interest should check it by himself.

[G-tokyo 2010] A session: On Friday, January 29 VIP/press preview Only an invitation person 14:00 - 19:00 Saturday, January 30 and Sunday on the 31st Public opening 11:00 - 20:00 A meeting place: Forest arts center gallery (Roppongi, Minato-ku 6-10-1 Roppongi Hills forest tower 52F) An entrance fee: The public of 1000 yen (schedule) URL:http://www.gtokyo-art.com/.

Participation gallery: ARATANIURANO. /Gallery Oyanagi /Gallery SIDE2 /Hiromi Yoshii. /Kenji Taki gallery /Kodama art gallery /Tomio Koyama gallery /MIZUMAATOGYARARI. /OOTAFAINATSU. /SCAI THE BATHHOUSE /SHUUGOATSU. /Hawk and ISHIIGYARARI /TARO NASU /WAKOU Works of art /Yamamoto today [NEW TOKYO CONTEMPORARIES3] A session: Tuesday, January 26-Sunday, February 21 A meeting place: Each participation gallery and Nikkei Shinbun headquarters SPACE NIO and cafe 1984, besides Holding time: URL:http://www.newtokyocontemporaries.com/ in accordance with the business hours of each space and event holding time.

Participation gallery: Aoyama| Meguro/ARATANIURANO/foreleg/bamboo, NINAGAWA/MISAKO and ROZEN/desert island production/Yuka bamboo grass abdomen gallery I have the holding plan which are a party, toque live broadcasting and a workshop, etc. at each※ event space.


[Mancy's Tokyo Art Nights] A session: Saturday, January 30-Sunday, January 31 Holding time: Saturday, January 30 16: 00-24: 00/1 month Sunday on the 31st 12:00-21:00 Meeting place :Mancy's Tokyo (Azabujuban, Minato-ku 1-3-9 TBC Azabu) An entrance fee: Free 500 yen-/1drink is offered by this 2 day limitation in TORATTORIA of※ space 1F (whether and so on will be the cost of the menu street) URL:http://wadafine.exblog.jp/.

Participation gallery :AAA (Hong Kong)/gallery tugboat /Gallery2 (soul music)/gallery tera Tokyo /hpgrp GALLERY Tokyo /nca | nichido contemporary art/ MORIYUUGYARARI (Kyoto and Tokyo) /Y++ WADAFAINATSU (Beijing Tokyo) The 30th or the 31st is patrol in Roppongi and Azabujuban, isn't it?
The moment when I think NAA if the old art inferiority complex of Roppongi lives. The name of each gallery was still stuck on a wall.