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会員制ソーシャルネットワークBLOGバージョン<![CDATA[ART iT]]>
http://www.art-it.asia/index
http://www.art-it.asia/template/i/common/logo.gif<![CDATA[Door of the perception? 13 days]]>
http://www.art-it.asia/s/memo-reb/ZEKHkIloOx6vi7VwXprY
2010-03-15T12:24:58+09:00
You spoke about history of place, and Mr. Amano's work explanation also clouded, it was a performance easily.
Thank you very much for everyone of a volunteer of the Chuo University momentum by which it rains.
Volunteer's way to Toyota is wonderful. ]]>Ohmaki Shinji<![CDATA[geisai entry into the war report]]>
http://www.art-it.asia/u/genlemo/c0gpZMRC3Ptx94hU1wsH
2010-03-15T12:23:20+09:00
The one recalled by a recall talisman is 2 generation eye leader lemon and one.
Plastic plastics seemed to have been going around cheerlessly, but could you meet me?
By the way, the "illusion squadron lemonade recall talisman figure" I exhibited at the booth, such feeling False. An upper picture was taken by illumination at time of whether it was an awards ceremony.
That time was most beautiful best!
During being open, the shadow where I have more no things judged from an incandescent lamp in a curse attached chart (Japanese paper) was built, and I was freaked out.
In a white box, it's recalled, it was bad. ., reflection.
Even though I had really many people help until I carried it in from exhibition preparations, exhibited it and came to carrying out! !, this place is borrowed really, and it's kneeling down on the ground thanks for everybody. Thank you very much for your MAJI really! !!
、、 receives a support message, and is wonderful if it'll be early morning if it'll be also midnight from the south and from foreign countries by opening, for a friend, KANPAI! !, it's TOU with geisai!
Everybody of geisai sponsorship may not be the conspiracy lover based on such geisai.
I ask geisai for the communication which aren't a prize and a debut, and, I'm sorry.
The future account was made everyone until late.
Well, 、、 which becomes fascinating by all means becomes fascinating. ., the future is fascinating by all means.
By the way, that it was most fascinating in this geisai14 Fortune-teller next to the one of a silver award?
I'm going to predict the author's next silver award, not to trouble the reliability beyond a prize of geisai by a winning a prize speech and to get it.. if someone knows the phone number, please tell me.
And that it was striking in this geisai14 "Is a splendid festival on the second thought dicey?" "The person who has the bag by which everyone is a smiling face and geisai in the person who has a bag of a splendid festival?.." that overwhelming person seems hot, and what is the difference in the smiling face and the money buying and selling! ?, too wonderful! !!
★.
It was popular locally, so today is also opening to the public and an illusion newspaper! http://qwe.vc/09YC2L I die in 24 hours, so give equipment in hand dependence (download).]]>隊長檸檬<![CDATA[A performance for 13 days and 14 days at Toyota-shi art museum]]>
http://www.art-it.asia/s/memo-reb/0QnrJ1Ec5zMT3WhvPCI8
2010-03-15T12:14:10+09:00
That the performance in the work of place different from last time again (DANIERUBYUREN) is empty, true, time, it was the space I don't have by now when I associate.
Such collaboration couldn't be done easily, so I myself was enjoying myselfself, too. ]]>Ohmaki Shinji<![CDATA[New Museum | " Skin Fruit " curated by Jeff Koons]]>
http://www.art-it.asia/u/ab_furukaway/1FLw64v8t5MOCAPlZox0
2010-03-15T11:42:17+09:00 When hearing "Who is the favorite artist?", it's "Jeff Koons" that I answer certainly so.
When hearing "Who is the favorite actor?", it's "Jim Carry" that I answer certainly so.
Their common denominator in presumed my own way will be mentioned.
* Hard worker * Gentleman-like * A smiling face isn't forgot.
* The humor I ripened mentally * They're severe on a performance.
* They're severe on themselves.
* Is it with this, too for an audience! There is Ai to the* people so which can criticize every kind of viewpoint* almightily, and read and come undone a service perfect score and history are shouldered tightly who also shoulders economy tightly and I don't care for jealousy of the* man who is also loved by a people at all.
Because I feel to be doing, I'll like the "stance" which is YOU.
The collection exhibition Jeff Koons chose HA, when it built into the unreasonable state, but there are no his own work groups as expected, somehow a draft is spouting.
Water is leaking. .
When this exhibition is being seen, everything wants the quality of his own work, and anyway looks like trash and is seen.
Why is it? It's because I'm probably relaxed. by both's meaning of "history" and "substance" is needed.
Uh, like strange voice of Jim Carry.
" Skin Fruit: Selections from the Dakis Joannou Collection" curated by Jeff Koons http://www.newmuseum.org/exhibitions/421/skin_fruit_selections_from_the_dakis_joannou_collection Jim Carry official site http://jimcarrey.com/ -- http://yumikofurukawa.com]]>Furukawa Yumiko<![CDATA[Tanaka Koki: I ask... ]]>
http://www.art-it.asia/u/admin_columns/DWXhoSIxKg0i5jlAQCz4
2010-03-15T11:27:33+09:00ART iT: Columuns<![CDATA[What is Japanese Art 9: Tsubaki Noboru (Part 1) ]]>
http://www.art-it.asia/u/admin_columns/KChY0qW81O4tD2r7Umcw
2010-03-15T10:33:16+09:00
Text in Japanese only.
]]>ART iT: Columuns<![CDATA[What is Japanese Art 9: Tsubaki Noboru (Part 2) ]]>
http://www.art-it.asia/u/admin_columns/eW82vJaGnOz3HlZIYxjq
2010-03-15T10:05:42+09:00
Text in Japanese only.
]]>ART iT: Columuns<![CDATA[Opening/Closing this week（3.15-21）]]>
http://www.art-it.asia/u/admin_ex/aVTxW0cot3k7jfiFDnuz
2010-03-15T08:58:21+09:00 Opening this week>>Art museum gallery list
Yoshimoto Sakuji
3.18 - 4.24
Kenji Taki Gallery（Shinjuku）[MAP]
Ito Fukushi
3.18 - 4.30
Base Gallery（Kayabacho）[MAP]
WONDER SEEDS 2010
Tokyo Wonder Site Shibuya（Shibuya）[MAP]
Through 21
APA award 2010
Tokyo Metropolitan Museum of Photography（Ebisu）[MAP]
Yanagi Miwa: Lullaby
RAT HOLE GALLERY（Aoyama）[MAP]
*see Exhibition Calender for Asia-Pacific area (3.15 - )
http://www.art-it.jp/calendar/e_2.php?country=126&town=&sh_open_y=2010&sh_open_m=3&sh_open_d=15&keyword=&Submit2=Search
●Art museum gallery list
●Exhibition Picks
]]>admin_ex<![CDATA[Artists, born in 1975, in China]]>
http://www.art-it.asia/u/visart9999/ngVb0NSQzYupolytsPJe
2010-03-15T08:14:57+09:00
‘World beneath clouds No.2′, oil on canvas,
210×450cm, 2009, by Xiong Yu
‘Flood’, oil on canvas,
280×280cm, 2008, by Song Gui Yu
‘Hide in shadow’, oil on canvas,
200×150cm, 2008, by Ren Jing
‘Solitary landscape’,
150×150, by Lin Hai Rong
‘Scenery that cannot be ignored No. 4′, watercolour & toner on chinese paper,
60×80cm, by Yu Xu Hong
]]>Oriental VisArt<![CDATA[JAPANESE ART FESTIVAL]]>
http://www.art-it.asia/u/misato/IOBPAE5HKCF6dWUornMw
2010-03-15T03:37:50+09:00
日本のキャラクターのもつ力はすごいですね:)
一方で、書道や日本画も人気です、とくに伝統的なものは、、、
現地の人々に書道を教えたのですが、みんな意外と上手に書くんです！
驚きました！
来週またパブでパフォーマンスをしてきます：D
今日またLONDONでバンクシーの作品を発見しました！]]>Misa<![CDATA[Roni Horn aka Roni Horn]]>
http://www.art-it.asia/u/ab_itot/XpaO4MC9SqbPK2ZcQgUy
2010-03-15T01:54:05+09:00Ito Toyoko<![CDATA[ARTiT formal blogger Fujihata Masaki: I congratulate the Minister of Education, Culture, Sports, Sci]]>
http://www.art-it.asia/u/sfztpm/NgrBGXqyKin3DemWpaYw
2010-03-15T00:59:42+09:00
Blog : http://www.art-it.asia/f/ab_fujihatam/ of Fujihata Masaki It's introduced by a newspaper this:.
On the 12th, the Agency for Cultural Affairs announced a winner of the said Rookie of the Year award at the Minister of Education, Culture, Sports, Science and Technology prize of selection and recommendation of art works in fiscal year 2009.
19 people of the Mr. Ryouichi Sakamoto (58) and Mr. critic's west 邁 (70) who are a musician in the Minister of Education, Culture, Sports, Science and Technology prize, Ms. Miwa Nishikawa who are a film director and a playwright in the said Rookie of the Year award (35), 11 people were chosen. The presentation system is performed at an old Ministry of Education government office building in Chiyoda-ku, Tokyo on the 19th, and a certificate paper and a reward of 300,000 yen are presented.
...............
< art of media> Tokyo National University of Fine Arts and Music graduate school picture chief of postgraduate course a* professor and Fujihata Masaki (53)= "Simultaneous Echos2009 and a, "Field-work"in Londonderry" ...............
Art of media Fujihata (Huji grouper) Masaki (oh destination) It's consistent through solid modeling and many interactive works by the numerical value control first which is learned about internationally as a CG author, and is after that in 1980 's already, and Fujihata Masaki who is the artist of media which represents Japan has worked on a high technique as the way to ask kind of human recognition also has shown big influence by education and writing activity. Irish nature and this work which reorganizes the people who live spatially by a GPS and a data base there are one arrival point which indicates fusion of technology and art.
.................................
Winner on other relations of fine arts: < fine arts> a sculptor and Hidetoshi Nagasawa (69)= "Hidetoshi Nagasawa exhibition The place to which Aurora goes"▽ Japanese-style painter and Naoaki Yamamoto (59) = "Naoaki Yamamoto exhibition The landscape to which I return" .................................
Nagasawa (but, well,) Hidetoshi (in a day, if, with the selling point of) There were no places where metaphysical interest Nagasawa sculpture is sometimes sometimes handed down to the "the place to which Aurora goes" show where I'm making my rounds around 5 meeting places of national and public art museum and a new show using traditional space in Tooyama memorial hall "dreamy garden" boldly poetically and it's left over. The ideal-like principle by which a work goes through the universe where it itself doesn't stand up and fulfils no kind of life and existence without that. Work for Mr. Hidetoshi Nagasawa who tries to capture the secret, and doesn't sufferOne point and one point was saved from conceptualization of fixing and prescription of HA and the style, and charmed the person who is wealthy in an original modeling device and judges by abundance of the plan and the height of the quality.
Yamamoto (and, oh, origin) Naoaki (Further it opens.) Mr. Naoaki Yamamoto has always tried a change in the production viewpoint which chooses "portrait of Mr. M", "DOOR", "PIETA" and "IKAROS" etc. as a work produced in collaboration and TE - MA, but the point is valuable.
It can be said that the expression technique which devises base material, a paint and a 展 color material by a technique face and has its will keeps producing the present-day character. These both wheels produced last year's new design "Return?" other ones and attracted attention greatly, but the expectation by which new surface of the earth is opened from here is big.
..................................
The Minister of Education, Culture, Sports, Science and Technology Rookie of the Year award: < fine arts> photographer and Tadashi Tsuda (33) = "dead RERA" etc.
< art of media> cartoon film movie director and Mamoru Saida (42) = "summer Wars"]]>Mario A / 亜 真里男<![CDATA[Opening/Closing this week（3.15-21）]]>
http://www.art-it.asia/u/admin_news/CBaSU9uFxKAshPR6oQlI
2010-03-15T00:00:00+09:00 Opening this week>>Art museum gallery list
Yoshimoto Sakuji
3.18 - 4.24
Kenji Taki Gallery（Shinjuku）[MAP]
Ito Fukushi
3.18 - 4.30
Base Gallery（Kayabacho）[MAP]
WONDER SEEDS 2010
Tokyo Wonder Site Shibuya（Shibuya）[MAP]
Through 21
APA award 2010
Tokyo Metropolitan Museum of Photography（Ebisu）[MAP]
Yanagi Miwa: Lullaby
RAT HOLE GALLERY（Aoyama）[MAP]
*see Exhibition Calender for Asia-Pacific area (3.15 - )
http://www.art-it.jp/calendar/e_2.php?country=126&town=&sh_open_y=2010&sh_open_m=3&sh_open_d=15&keyword=&Submit2=Search
●Art museum gallery list
●Exhibition Picks
]]>ART iT: News<![CDATA[Medicine and art show]]>
http://www.art-it.asia/u/lostandfound/CKG5VJoqU08LxjtX1ebc
2010-03-14T19:15:51+09:00
Well, a forest art museum, it's first!
I went to see on Saturday, so even if I go to see oh-a person, it's Kandy.
MO is grotesque I boringly, it was expected, wasn't it also so? There was also a work score fairly, so if it turns around, I'm quite tired, the impression which is a lunch box little.
It's Fuyuko Matsui and a person of a picture of the death mask that it was left personally. The name was forgot. Such, oh, tricky AKAN. Admission side! Fuyuko Matsui was good, but.
Work of the just after portrait of which person's fellow of a picture died with three months ago when he dies. An exhibition hall was only that there, some bottom bottom has come. You can't be there all the while. "Say a child or also have the one of the baby after but wait a moment." Is that a work? . Pictures are a lot of viewpoints for a sent person, well, to say? Is there an incompatible part as art a little? Oh, I think it's free.
And you could also go to an observatory with the same ticket together there, so I went!
I thought the United States could be seen, I thought that there was a lot of gas on this day, and... was useless.
Oxygen and duck were thin and, there. An airplane, just beside, it was flying. (Am I George Kawaguchi?) Which district is the picture with sunset? 17: Tokyo of a little past 00. ]]>lost and found<![CDATA[AGFA 505-X]]>
http://www.art-it.asia/u/kay_y/bHpNFzrlmGgVaKuD8UkB
2010-03-14T17:54:01+09:00
A start is for a short while later after a power supply button is pressed, so it's quite difficult to have done in a decisive moment. When it's being done, the sleep (?) is made power supply keeping putting it in soon, so I say still whether you'd like, it was being also felt. Indication of a battery remaining amount will be 2 scales, and for 1, it'll be, and I'm exerting myself fairly while repeating it. When going on an outing, it's inserted in a triple A battery 2 bag and it's being carried around.
And I came to want macro lens as expected. ]]>Kay<![CDATA[MOT ANNUAL 2010, Part 7]]>
http://www.art-it.asia/u/ab_yamamotom/sP6ADv2ahLGwZt38yux7
2010-03-14T16:30:00+09:00
Sakura, the cherry blossoms of my home, today flowering. Spring came to my city, Kanazawa! The seedling of "Kawazu Sakura" which I purchased for the motifs of the work last year. One of them of the inside was open only a few minutes ago. This is a cherry blossoms of the early blooming. And, the color taste is slightly thick, too.
I made "improvement to have you enjoy a work more" on the work in the end of February. The refinement is 3.
1) You can be in the work ( It is the part of the floor without the salt! )
2) The protection guard of the work changed it into a low thing.
3) I established the stairs. Therefore you can look at the whole work from the high position.
These decision was accompanied with difficulty. However, I decided it. The uneasiness of the destruction is left. I pray from Kanazawa not to be broken. Please sense it bodily by all means if there is an opportunity to go to the art museum.
Thank you,
MOT ANNUAL 2010; Neo-Ornamentalism from Japanese Contemporary Art
February 6(sat) - April 11(sun), 2010
Museum of Contemporary Art Tokyo
4-1-1, Miyoshi, Koto-ku, Tokyo, JAPAN
http://www.mot-art-museum.jp/eng/index.html
Opening time; 10:00 - 18:00
Close on Mondays (except for March 22), March 23
]]>Yamamoto Motoi<![CDATA[The kitchen scale]]>
http://www.art-it.asia/u/akinss/JzZeUV1ulI5hawCpcG7F
2010-03-14T15:26:03+09:00
It\'s chosen by a gift catalog of friend\'s wedding!
Flour can be used with this.
I have to use it neatly.
Only fight will leak.
]]>akinss<![CDATA[As much as baking, wonderful.]]>
http://www.art-it.asia/s/exhibitions/qnomxQX9zIlhiUc8DZvE
2010-03-14T14:01:17+09:00
A※ cherry tree sees 9:00-17:00 (Even entry 16:00 closes on Monday.) on Saturday-on Sunday, May 30 on March 20, 2010, tea ceremony 2010 year April 4 Sunday 13:00- Omi-hachiman municipal tile museum Zip 523-0821 738-2, Tagacho, Omihachiman-shi, Shiga http://www.80000.jp/kawaramuseum/guide.html 0748-33-8567 Submitting person Kenji Shimada, Tetsuya Tanaka, Kouichi Maekawa, Junpei Yamamoto and Horio 江示 ]]>Tanaka Tetsuya<![CDATA[Matchmaking original shrine]]>
http://www.art-it.asia/u/ryokokimura/MzSNh6BrE73JekInC9Tw
2010-03-14T14:00:10+09:00
The "better fortune art" written on the previous article.
I don't decide by a reason at which that's aimed in particular, the "婚活 Date?
Six in both" issue which is being made current as of me is "prayer to God for help and matchmaking prayer".
Ryouko Kimura original matchmaking shrine!
The core hid by IKEMEN Shinto priests, but it was drawn tightly!
There are supernatural powers and breathing so much as hair for me, Be Happy. . (-db-) I paid attention with fight, drew an edition and piled up.
Please come to the worship in KIDO Press of right or wrong right or wrong and April.
MOTCHIRON and the takeout are also OK, YO!
"Ryouko Kimura The system: 婚活 Date? Sugoroku Start!"@ KIDO PRESS 2010.4.3 Sat.
- 5.8 Sat. Tue-Sat 12:00-19:00/day, moon and holiday 休 http://www.kidopress.com/ Umm, when it's written, it so looks like business of the better fortune goods and is shady very. . ., an artist is being done seriously just in case, so please don't judge from a white eye, but 2 sets of ^^; got married to well around me recently, didn't it? . (<-this is true.).
With the good match, only, just, "the relationship of the men and women", just. .
Various "the good match" and GET! Because it's so!
☆ Which is wishing that many persons who see have divine favor and is drawing, of course, for me!
※ This work is an art work, not the one which secures divine favor. ., just in case?]]>木村了子<![CDATA[Shigaraki ACT2010]]>
http://www.art-it.asia/s/exhibitions/Rba8jk2sPEgT9rznAlWc
2010-03-14T13:59:22+09:00
Shigaraki ACT 2010 Balance/unbalance Friday, April 2, 2010-Monday, April 5 9:00-17:00.
Shiga-ken Koka city Shigaraki-cho Each pottery promenade place Participation artist Baud Art Dulles museum NO - MA x Shigaraki youth dormitory, Shuichi Kishiue, Kaori Kumata, Kenji Shimada, Tetsuya Tanaka, Tanaka 南央, Tanabe 磨 Yoshiko, 為眞茶坊, a daruma doll store, Kyoko Tokumaru, Sachie Noda, Tomoki Fujii, Fujimoto 秀, Kouichi Maekawa and the south hemp are rare, Koji Minami, melon All Stars, Hiroshi Yamada and Junpei Yamamoto, etc.
Tetsuya Tanaka exhibits it at Bungo Akira depot (http://www.bungoro.com/).
Shigaraki ACT A site http://www.shigarakiza.com/.
]]>Tanaka Tetsuya<![CDATA[As much as baking, wonderful.]]>
http://www.art-it.asia/u/tanakate/WU1txV8LDf3MbhgwvOpm
2010-03-14T13:20:18+09:00
Submitting person Kenji Shimada Tetsuya Tanaka Kouichi Maekawa Junpei Yamamoto Horio 江示 ]]>Tanaka Tetsuya<![CDATA[Shigaraki ACT2010]]>
http://www.art-it.asia/u/tanakate/1K4CSwrGNlWHZYABLbFe
2010-03-14T13:04:57+09:00 Shigaraki ACT2010, it's submitted.
Shigaraki ACT 2010 Balance/unbalance Friday, April 2, 2010-Monday, April 5 9:00-17:00.
Shiga-ken Koka city Shigaraki-cho Each pottery promenade place Participation artist Baud Art Dulles museum NO - MA x Shigaraki youth dormitory, Shuichi Kishiue, Kaori Kumata, Kenji Shimada, Tetsuya Tanaka, Tanaka 南央, Tanabe 磨 Yoshiko, 為眞茶坊, a daruma doll store, Kyoko Tokumaru, Sachie Noda, Tomoki Fujii, Fujimoto 秀, Kouichi Maekawa and the south hemp are rare, Koji Minami, melon All Stars, Hiroshi Yamada and Junpei Yamamoto, etc.
Tetsuya Tanaka exhibits it at Bungo Akira depot (http://www.bungoro.com/).
Shigaraki ACT A site http://www.shigarakiza.com/.]]>Tanaka Tetsuya<![CDATA[Mollet skin]]>
http://www.art-it.asia/u/shogopaper/0AzM6gwFDmIKCsU2bfx8
2010-03-14T12:43:07+09:00
By the way today is the white day, isn't it? Warm, or, even short sleeves were in yesterday even felt "It was hot." and the person who walks Shinjuku here and there beyond I. A man herds together at underground in a department store, by a couple, yes, but I don't have that, if it isn't also so, "chocolate" election is being done, and. A display in the store takes spring before others simultaneously, and an eye is invited cheerfully, and is often attracted to a spring thing carelessly. I returned tea of the mint system of MARIAJU FURERU last year, a man was also buying tea by himself in the store in Shinjuku yesterday. They'll be the vicinity and the one I have returned today, won't they? It's really troublesome to go to the store where I don't usually go by myself (giving a bitter smile). Such I bought a notebook of a flame series of Mollet skin "recipe journal" for change this year. Notebook of steady Mollet skin of binding like one book which is being made with itself. A pretty stamp and, go also to choose a pen variously.I was writing a notebook on GARA and the past, too, it was remembered dearly quite irresistibly. Do you say to the time and the thick pocket diary for which now has not used a PC yet that the page which was stuck and scrawled was also pregnant since clipping various ones? A trigger was a sketch notebook of Peter Beard who saw at Soho in New York, after a long time, is it better to note a daily miscellaneous thing and various things by the handwriting, what would you like to think as, and? It's put back in the inside of a bookshelf and a city book series of the crowded same Mollet skin "TOKYO" is drawn out, and, now and PERAPERA. Umm, handwriting is a good one, isn't it? Anyway a data delivery only of contents such as the smart phone and the e-book EKUSUPERIA sold from Sony in opposition to i phone will be is handwritten by the sense which even shut itself up in a cottage during the mainstream. Beginning of the spring when good of such notebook is tasted.
SHoGo PaPeRhttp://www.shogopaper.com]]>SHoGo PaPeR<![CDATA[KIAF2010]]>
http://www.art-it.asia/s/koreanart/9c8bG5gqOtznwI2SsVjB
2010-03-14T10:02:50+09:00 http://www.kiaf.org/ Biggest art fair }KIAF2010 in Korea is holding on September 9-the 13th.
A guest country is the United Kingdom.
A place is Mitsunari cave COEX Pacific Hall as usual.]]>RASA<![CDATA[Text in Japanese]]>
http://www.art-it.asia/u/hashimon/Vouhkb68mvYd1Hn7MF30
2010-03-14T09:38:35+09:00Makoto Hashimoto<![CDATA[japanese only]]>
http://www.art-it.asia/u/ab_enomotok/SAjHNQeZoVB4Uu8fxtdl
2010-03-14T05:15:03+09:00Enomoto Koichi<![CDATA[The fact that I have no Art]]>
http://www.art-it.asia/u/k_miyagawa/JIh9FytHBSaTZMmq35cb
2010-03-14T03:59:34+09:00
It's very difficult to say.
There is no art in Japan. Historic, (This neighborhood check a Westernization movement, encouragement of new industry, Fenollosa and Okakura Tenshin, and please see.) Of technological emphasis, when there is also no philosophy by classic and independent art, it isn't Art. It was the reason which can't have been learned in a short time, but how long did you improve European art philosophy in a root of anguish of a Japanese western movie republic in incunabula? And the time was changed and there was an audience (the person who understands the meaning or person who opposes), and present-day art started to be concluded. I also needed concerning with society as a raison d'etre. Art has begun to die once and associate with people with society.
Art isn't also the case that even a cool thing is fashionable.
I think that art is fashionable for a Japanese young person, I think there is also how to catch.
There are the United Kingdom and such side, but but the artist is still, full of feces. By such meaning, nobility. There may be a fashionable person, too, but a street person and a mistaken person are fine, too.
A gay is fine by a gay and seggie is also fine for a criminal by a lesbian.
When Art is being done neatly, everytime is Cool.
How is it is also fine for who an author is also.
When being not left even if or a work isn't liked at all, when liking a work, it's the work which may be taken for you. There is no KANKE an author. There are the picture even the person himself doesn't like and a work. I'll find one one likes.
Don't find a favorite artist. I'll make the author's personal information intention and see a work neatly. By an author, a work, they seem to be seeing, for, it's the sign of the modernism finally.
It's late for 50 years.
It's fact that Japanese art was recognized, but it looks like a deer of a found new kind as an endemic of Japanese origin.
It looks like the folk art a minority is making in the country in Southeast Asia. Cultural anthropology-like.
It's insubstantial of the contents as a Japanism boom of an expo and, indeed a surface is super, flat. .
There are no cases that I'd like to say! Looking which says so is even felt.
I go clearly, and an overseas experience gang is pulling development of a context.
It's the weakness of the presentation power pointed out, but understand whether it's understood whether a foreigner is convinced when how doing explain it.But it's necessary, so I think you have to learn logical thinking of an individualism base overseas. After even so, I make my rounds around the Japanese artist from which a triumph returned home.
I hope that you're an audience and the difference by which Europe and Japan are most is called. Even if it's exposed to one-sided communication, a problem is probable in the Japanese disposition accepted "as such one". I think this is the cause which makes a stupid artist rampant. If I think you're strange, the work is strange. Technical knowledge and history of art, 知, I cry, myself should be able to appreciate a look.
Well, it's so, everyone looks like a foreigner, doesn't understand and doesn't like that, and shouldn't Japanese be personally? I'll stop to read the air which will stop to see others for now. One will pursue how to think. When becoming selfish one after another, "individual" should be seen. That what may be done does air need? So I injure a person without a reason and want you not to misunderstand freedom.
One, I'll face art importantly. When doing that, don't you notice art of a personal appearance? It shouldn't be in common use to an incomplete work for such audience.]]>かず<![CDATA[Art, learning ≠ technology]]>
http://www.art-it.asia/u/k_miyagawa/aXAsFW7JIzd2b1uVi65O
2010-03-14T02:39:52+09:00
Though it was learning all the while at Europe, Fine Art brings the national isolation to an end, and is translated with fine arts and is a blunder in since then. The importance of the philosophy in art was recognized between the Japanese person concerned of fine arts, but even if I made an adult study abroad for a short period, it was impossible to be able to understand real philosophy (There would be also a linguistic problem, how was philosophy understood without a word?) Academic art is obvious learning. It's study. It's the intellect. It's education. It isn't practical science.
When it's compared, philosophy, literature, cultural anthropology and sociology are sibling YOU, and if comparing in that, whether the design and a craft (arts and crafts) are a cousin, half-brother. SHO the cousin is similar to the appearance, but where the outfit is different from itself. (When a designer approached like philosophy, that's near art. Still it isn't an equal sign).
The context which cries with technology = art= art.
Arthur C Danto criticized a work for Andy Warhol formerly, and I said "by the background and the context a work (I wasn't an author.) has, art". In other words, the means to come "to see" a work as technology.
It's empty that the transcendent art put in exceeds a context of the work.
Art of the work which is absence of the contents is pomp, and the expression without reasons and work are eyewash.
I even think the way where I think and make nothing to think seems to be art.
That talk of a context is advanced, art, itself is also a visual language and, the dimension of wanting to say by which I think art as the means "to say to want to say freely" is also generally recognized in Japan has to be noble boundlessly, it has to be the language in earnest. The word considered by oneself can't be the same word as others, but if it's ambiguous and is by an incomprehensible expression, I don't have that.
The amount of the context in which you can have a work of one apple is limited, but it's unlimited to be transmitted to an individual from the apple. A European and American artist is often talked, but I find not possible to say everything to a work. Though there are many cases that he'd like to say, the adult of an expression who thought and chose as election to think is a work. It's worth for this one fact which makes an audience think so and when a work could be understood beyond a surface, is a shudder in a brain.When running, I'm moved for the first time and get angry really. When understanding a work, white Cube and the outdoors become unrelated, and an artist and an audience are the super-real world, and that it's possible to be confronted with which is the pleasure of the real art.]]>かず<![CDATA[Art and reality Santiago Sierra]]>
http://www.art-it.asia/u/k_miyagawa/i1GfUIOYuyHE6tKJpBZL
2010-03-14T02:37:05+09:00naoYNgnDUl8 The sigh the world has to do only by gloss. It's so, if he goes home, even if 汚 so bites, is dirty, is dark, is painful and is hopeless, no one is helpful and it isn't also imaginable to creep up from poverty and, the fact though there are no conditions, the life also makes the home of getting married, the child and someone happy, and which is red snapper and considers such thing, from since I cry for? Art? ., RETENNO where Art is contributing to some society or! I see? The work which looks like the trash with the low percentage of completion though I'm busy with work! I show such one and don't play. I don't know what you'd like to call, I tell about the world where social experience also isn't and is in the habit which has not worked part-time, and, oh, then, YOO I don't have!
I want the person who thinks so to know. There is also an artist with the same heart as you I want to find, and it's that you may speak for feeling a little. Moreover it's estimated.
Yes. Santiago Sierra is introduced this time by such reason. A Spanish super artist. Even Venetian Biennale and an international exhibition are regular customer's great master.
The extraordinariness I buy a beggar and a prostitute by money, put a tattoo in and have black people's hair in a blond, and I make a laborer of an Indian UNKO processing caste make a work in UN KO, and would like to sell and do expensively at a famous gallery. Moreover one famous as an artist is the reason from which a laborer can get money more. Actuality of the capitalism richness and power exploit from the weak is shown off directly.
The work which prepares an idling car for the one I like personally in the gallery and makes outside release exhaust. In other words, environmental pollution is such point, but art is the reason having "influence" on society. The back is entrance regulation to all except for the Spanish passport holder sent at Biennale's Spain house Venice. Or such as exhibition space is blocked by a brick, and a work can't be seen. Every beautifulness, discrimination, it isn't good, and, a one and I say, but you classify the case that I make it exclusive to others as well as a problem of the nationality and a person, treat very well and treat coldly, and what one has occurred. The "actuality" which says so is being forced.
Sierra isn't making the work which delights a person easily. If his work is seen, I can make them consider, and that they may feel sick and do unpleasant concern. I meet, I make myself the scapegoat, and, aahThe humanist pursuing reality in TO. It's also great that it isn't also hypocrite looking so much, isn't it? Don't you think the appearance of the work is dirty and is obscene but beautiful art?]]>かず<![CDATA["Relational Aesthetics" by Nicolas Bourriaud]]>
http://www.art-it.asia/u/k_miyagawa/KnpLuzjlC1iQRyobgHSs
2010-03-14T02:30:52+09:00
However, about the audience's relationship Claire Bishop has caused at the "place", "Whatever kind of relation will be on earth done, is a word produced?" "Is a peaceful place really democratic?", and, I'm delving in Antagonism in relational aesthetics. It's sensational like Santiago Sierra and whether you also need the artist to which an important theme as criticism of art is being expressed by making viperous "place", both hands are given and idealized "fine arts of" relationship are being criticized.
An analysis of art and his ideal in 90 's seem to have been blended with Relational Aesthetics as the person himself is telling by various interviews, too, so criticism and a misunderstanding have been rampant in all over the world. The interest seems to shift to the necessity to which globalization is expressed through art as I just had the understanding that it was corrected and showed by ALTER MODERN show in TATE Modern and the latest work "The Radicant" at present.]]>かず<![CDATA[It won't be a word.]]>
http://www.art-it.asia/u/k_miyagawa/Vn29fxXGQvYrAINgs6R1
2010-03-14T02:19:29+09:00
"For expressing that it won't be a word, art".
"Because I don't want to explain, I'm making an art work with the mouth.".
Much of the person who says so doesn't explain by words at all. I feel.
"The thing a work expressed can't express-> which "visualized the thing you can't express in words as a work" to appear and disappear there by words". The connecting logic which says so. Anyhow you can't become a language, if anyhow the meaning of the work is the case that an audience thinks. But since forming "hasty conclusion" too much without arguing here, art is something which doesn't look eternal.
The formula which asks such extreme for a conclusion is flooded in the Japanese argument.
In the long run "That's somehow." and, I try to bring talk to an end.
However, art is never-ending and it isn't supposed to be a so suitable conclusion.
It's eternal anguish and it's a faint in agony and a commercialized substance.
Logical thinking will be to explain by the mouth perfunctorily like a wasteful thing, and is linguistic and stops, and a work is flying over nonverbal TE in indefinite territory.
Criticism is difficult territory very.
This logic is used as clumsy in speaking excuse.
The artist which can't be explained by words is poor at presentation. Because I don't know what one made, it isn't put on by presentation.
I think such as it's same even if I die now at all because I die, and don't live.
What is reproduced one or pomp there or what is it that the concrete was done by the one which is substance or de Tyr? I think it can be said "What is it?" if it's the work which deciphers "new symbol" to wonder, and it's "Art's enjoyment" by the essential meaning.
Art can't be expressed by words.Even if the fact that I say so and the one by which itself doesn't have a word to say beyond "art" are the truth, the "word" a maker prepared is a symbol and is deciphered by an audience.
What is the role of "word" for a maker?
There are a concept and a context as the linguistic function on the occasion of the art production.
It's necessary language to-ize an idea to construct a concept, and a concept is a pure word, and it's a work to be born as the result.
A work is developing from logical development of a concept, not to dig and go from a visual part.
It's the act which holds a new window as logical thinking to consider a work in KONSEPUCHARU.
"A is B. So, B is C, we assumed so that A was C for me,", and, the one I needed is logic of a basic concept. A foreigner tries to understand this from a work.
The prose which showed signs of a poem next to the good work or the explanation difficult like an incantation.
The title and the metaphor-like explanation seem also added, and I don't carry the weight. Criticism of a work by a critic is also interpretation using the interpretation ability which is the mark by which I became senile so, and professional criticism has not been seen.
They seem to hear con man's nonsense, and a work is enclosed by obscure glass.
After all because it's derivative and is the territory an artist can't control what happened by a work, a maker and a critic don't have to tell later and a word for the decoration to which I boast of something I don't have loudly shouldn't probably be attached.
It's disturbed to judge the work which is there from the eye.
An artist will think, and makes a work with a word, and is that an audience will change to logical sentences that one thought, and both come to seem to be art.
An author can't help producing such eyes while being impressed by the back.
Isn't the "word" which worries and has gone out as much as I tell, and I can think, as much as you can say by words for an artist substance of a work?
Finally, a work with a context is prepared. An audience "?" I decipher.
I begin to do that and tell a work.]]>かず<![CDATA[24h limitation newspaper opening to the public! geisai entry into the war!]]>
http://www.art-it.asia/u/genlemo/USvxd5lRJYmV0fDuK2X3
2010-03-14T02:01:23+09:00
I'll enter the war in A009. 2 works of illusion squadron lemonade recall talisman.
Please come to a male restroom and near the soft ice cream with PURA, ^^ It's limited for 24 h according to this! "Illusion newspaper" by a pipe fox reporter of my home is exhibited!
An illusion newspaper will die in 24h. Make them possess equipment of holdings, and please enjoy yourself.
http://qwe.vc/_Hy3Rw ★ Attention article★ Anguish of a squadron inspector general 0-82 melody The hero who asks a hero is what or Is pond smelt fishing in formal UORINPIKKU! ?, the tea ceremony by which failure or how to be the specter who knows man (advertisement) is the boss for postal service specter-ization (announcement) Surprisingly, it's said that we come to the boss tomorrow, too!
By the arrangement by which 0-82 is a bookshelf, because I'm busy, you gave such sugar to me. Oneself, all, PIYOKO. It can't be eaten. ., "Red snapper butterfly GAN, when, everyone, I'm lucky.", a message!
I possess! ?, with, it's the entry into the war which is while being freaked out, w.
、、 which would like to be you and a friend bet voice any time, please. .]]>隊長檸檬<![CDATA[A time limit is an April last ten days hairline.]]>
http://www.art-it.asia/u/onomako/JhFfM1Ir7HU8pX6jEwyo
2010-03-13T23:52:06+09:00 Sponge paper Grading grit# 280.
]]>balance<![CDATA[‘Necklace of Echoes’ by Indian Artist ‘Anju Dodiya’]]>
http://www.art-it.asia/u/visart9999/UzXHlPhCvjyuwANx3Oib
2010-03-13T22:45:40+09:00
Anju’s self keeps recurring in the changing pictorial contexts. These are, on one hand, inward looking investigation but they are not narcissist in any sense. There is a keen sense of self-awareness and introspection, at the same time; these works compel the viewer to unravel the untold stories and ambiguous frames. She continually creates her own legend as though she were a fictional character caught in bizarre but lyrical narrative, a self-disruptive autobiography.
Her watercolours are her take on the heroic, romantic representation of the self and self-discovery. There is something vulnerable in her works as the stringent violence is inflicted on her mind and her art. Anju’s paintings start a process of moving beyond the narrow self and towards a larger self among the others. Nancy Adajania, an art critic and cultural theorist therefore observes,
“I will therefore argue that the artist’s various self projections, far from being a garland of whimsical and disconnected pictorial quotations phrased across the years can actually be seen to express strong psychological continuities”.
There are often curtains, props, costumes and even the spotlights in her works – the entire stagecraft transforming the surfaces into a proscenium that mediates between the real and the illusory. Her works lie between the real and the unreal, dream and reality where she selects her pictorial references from varied sources including Indian miniatures, Renaissance paintings, world cinema, ukiyo-e prints, newspaper photographs.
Anju Dodiya completed her B.F.A. from the J J School of Art, Mumbai in 1986. She lives and works in Mumbai.
Vadehra Art Gallery (VAG) has promoted contemporary Indian art through exhibitions, retrospectives, publications and educational programmes. VGA has become the locus through which both modern and contemporary Artists have reached the public over the last 20 years. VAG’s position as an artistic interlocutor with the public is especially vital in contemporary India because of the lack of vibrant art museum culture. I(Kayla) went to VAG in Dec 2009 with M.J. and we were very impressed as their book publication was absolutely outstanding. The book store is situated beside the Gallery and there were a number of series of Indian Contemporary Arts. They have high quality and well designed so that readers enable to catch the contents and images easily. I bought more than 10 books from there and had a difficulty to carry on, but i must say that it was more than worth!!
‘Promise’, watercolour, charcoal & soft pastel on paper, 71″ x 45″, 2009
‘Breathing lesson’, watercolour, charcoal & acrylic on paper, 71″x45″, 2009
‘Paper necklace(for Sophie Calle)’, watercolour, charcoal & soft pastel on paper, 60″x45″, 2008
‘Walled City – VI’, watercolour on paper 12″ x 8.5″, 2009
]]>Oriental VisArt<![CDATA[AVATAR]]>
http://www.art-it.asia/u/ab_iidas/BzjI9fYd205ixM7bNygG
2010-03-13T22:15:09+09:00AVATAR last night. I was surprised by the amazingly developed technology of 3D graphic.
It was an enjoyable movie as an entertainment, but at the same time, what I felt was that it was a combination of direct appropriation of Nausicaä of the Valley of Wind and a bit of Laputa: The Flying Island (Castle in the Sky) (both by Hayao Miyazaki), and politically correctness based on Postcolonialism.
]]>Shihoko IIDA<![CDATA[3 titles of spring]]>
http://www.art-it.asia/u/kay_y/9np6Zx0g7sG2jmfrbPiT
2010-03-13T22:14:40+09:00
A bud was full all at once in the last few days. (Sony CybershotT9) At a storefront. (AGFA 505X) Evening sky is also as NANDAKAPOWAN. (Sony CybershotT9) ]]>Kay<![CDATA[I have good luck by art!]]>
http://www.art-it.asia/u/ryokokimura/ZbR1kFJ9LHmNpsdfv2ht
2010-03-13T22:00:27+09:00 (It was a kite and.) a work of the kite as "Fly to Sky" exhibited in Beijing was drawn on paper at that time, and it was being made by a split bamboo, it was the request I want to draw by silk canvas, not paper.
♪ which has returned to my studio by the wonderful form will be the style which surveys rhombic wooden trim after it's drawn in silk canvas, and is finished the other day, and it's delivery shortly.
A paper kite (the picture exhibited at Taiwan and a kanji cultural join) was made in Beijing here. -> http://yaplog.jp/ryoko-kimura/archive/49 Now, it was the present-day art collector in Hong Kong that you requested this work, and you could have an interest in my work from before. But this work, only, just, as a collector, as well as, he had another reason that this work is bought.
Fortune-telling is rooted in China deeply in a life such as 易 and feng shui.
When he has a fortuneteller see the Ke, they don't seem to have enough intention of "the fire" that I say by Gogyou of positive and negative.
A base made the god animal from "Gogyou thought" which is a natural philosophy thought in ancient China this work, and a work of this kite was made in the motif of "Suzaku". In other words, when saying by Gogyou, I warm myself at the fire. (About a work, here-> http: //ryokokimura.com/j-works09.html) He who meets makes the intention of "the fire" that it isn't enough for itself more to buy art favorite today up, better fortune UP! It's said that MO was aimed at.
In other words, my work is better fortune art! Are you going to say so?
I myself like a better fortune goods very much, too, but KETA is different. . ^^; My work is as far as I'm happy when Mr. Collector's happiness of seeing splendid things is a happy help in detail again.
Sand (the one which made the gold foil small) was also sown, and loved, UP!. ?Come on 招福!
There is Mr. collector who collects "red pictures" in the center by a motive I also resemble in Taiwan and goes around, and the motive by which collection& enjoys art is various.
Dr famous for feng shui. Mr. Kopa likes art very much, too and. .
Future and "better fortune present-day art". . Demand may spread. After is a professional gallery built shortly the "lucky art★ contemporary" which heals a heart of a man of today? ?]]>木村了子<![CDATA[NEWS : Kento Koganezawa.]]>
http://www.art-it.asia/u/Hyoshii/oCnsZeXIFkbR1j537Bh0
2010-03-13T21:23:44+09:00
"Roppongi crossing 2010 展: Is the art possible? The Japanese auto I'll challenge tomorrow" Sponsorship: Forest art museum Seconding: Panasonic Electric Works Corp. Cooperation: Four ton corporation and Champagne wine Nicolas Fiat and Bombay sapphire A meeting place: Forest art museum A session: Sunday, July 4, Saturday, March 20, 2010 http://www.mori.art.museum/contents/roppongix2010/index.html]]>hiromiyoshii<![CDATA[Sachiko Kazama of "Tanaka Kakuei, Ichiro Ozawa and Akiko Sato mama" and VOCA 2010]]>
http://www.art-it.asia/u/sfztpm/eJu2Bo1IrkS4mKAYbXcf
2010-03-13T19:18:07+09:00
Women's College of Fine Arts).
But it wasn't given to a Top prize in Mr. Sachiko Kazama's work unfortunately I like "Dai Nippon anti-aircraft soldier and 2670".
http://www.ueno-mori.org/voca/2010/outline.html Recommendation commissioner Matsui Green. (Art critic)?
Yoshizaki Genshou (Forest art museum of Sapporo art)?
Plum Mina (The Museum of Modern Art, Kamakura)?
Fukuzumi Cheap. (Art critic)?
Oshima Inscription capital (Suntory museum "Mt. Tenpo")?
Valley Record (Utsunomiya art museum)?
Nonaka Akira (Nagasaki-ken art museum)?
Haido. Masahiko (Aichi Prefectural Museum of Art)? Nobuyuki Okabe (Yamagata art museum)? Kenji Kubota (independent curator)? Kinoshita Chieko (Osaka University communication design center)? Yuusuke Minami (national new art museum)? Yuji Yamashita Toshihiro Asai of (Meiji Gakuin University) (Contemporary Art Center, Art Tower Mito)? A precious stone Masahiko (Nihon Keizai Shimbun, Inc.)? Toyomiyama Ai (Okinawa Prefectural Museum art museum)? Kazuo Yamawaki (Kinjo Gakuin University)? Masaki Yanagihara (Toyama-ken Indian ink painting art museum)? Sachie Kamitani (Hiroshima City Museum of Contemporary Art)? Ko Harada (Iwate prefectural art museum)? Chinzei Yoshimi (Museum of Contemporary Art, Tokyo) Koichi Wada (Miyagi Museum of Art)? Horimoto Akira (Tokyo opera city art gallery)? Yuichiro Takashima (Kanazawa art museum in the 21st century)? Takeshi Sakurai (Kumamoto-shi Museum of Contemporary Art)?
Hirose 就久 (Okayama Prefectural Museum of Art)? Kunio Hiramoto (Kyodo News)? Satoru Nagoya (journalist of fine arts)? Okazato Takashi (forest art museum in Ueno)? Yuki Kondo (international art center Aomori)? Hitoshi Izuhara (Hyogo Prefectural Museum of Art)? Oda Kakimi (art critic)? Koji Nakai (National Museum of Art)? Yoko Nose (Toyota-shi art museum)? Hanada. Shinichi (independent curator) ....................................
An article of my VOCA2010, as you can see:.
"A VOCA prize in 2010 and Miyake 砂織 win." http://www.art-it.asia/u/sfztpm/uAdJvVYj1agwEyWpTeFH/ About Miyake 砂織: "Neo-neo-girls @ Takahashi collection Hibiya 2/2" http://www.art-it.asia/u/sfztpm/Z6HIv0N5UmwQXblcFD78/ .....................................
It was booth in desert island production of last year's Tokyo art fair "TOKIA" that I saw Mr. Sachiko Kazama's work for the first time. I came to have the interest to this Japanese young female author after Mr. Kazama had the explanation on his own.
A problem of "relation between Japanese and Tanaka Kakuei" stands out rare in her multivalence.
I introduced Chim↑ Pom members, Sachiko Kazama, Ryo Umekawa rise, Koji Nishio, Makoto Aida and Hiroko Okada by an article in around December of last year.
"Chim↑ Pom, Koji Nishio, Sachiko Kazama and Ryo Umekawa rise" http://www.art-it.asia/u/sfztpm/YAFTJDG93KUX1MCZ0HEh/ Sachiko Kazama a.k.a C'mon Sachiko ;-)) Desert island production http://www.art-it.asia/f/mujinto3/ http://www.mujin-to.com And it was reported quietly about the "safe turn" of Tanaka former prime minister by today's newspaper.
The article to which you're referring: News of death: Ms. Akiko Sato renews the "safe turn" of 81 years old = Tanaka former prime minister at one thirty-one on March 13, 2010: March 13 Nine forty-four.
Akiko Sato called "queen of Koshiyama meeting" etc. by a secretary of Tanaka Kakuei former prime minister (Sato* well, it works.), make, but, on the 11th, I have died of a hospital in Minato-ku, Tokyo for lung cancer. I was 81 years old. On the 12th, a funeral has been finished only by a near relative. A chief mourner, eldest daughter Atsuko (Well, I arrive.), make.
Is Mr. Sato about 2 years before?11 Japan and North Korea and the condition had RA lung cancer, and changed suddenly.
From Kashiwazaki-shi, Niigata. I became a secretary at the edge where I helped a former prime minister with election activity in 1952. After that I served as an accountability person of former prime minister's body politic "Koshiyama meeting". When it was called "the safe turn of Koshiyama meeting" from the enormous influence, the Ichiro Ozawa Democratic Party of Japan secretary-generals who were a mainstay of Tanaka party yearned with "mama".
An office was closed by Makiko Tanaka former foreign minister of 85 years when a former prime minister was down with an illness and my daughter, and after being dismissed, a body politic was being supervised.
Mr. Ozawa who heard news of death (to bran) ran to the hospital where Mr. Sato passed away at noon for 11 days. With the remains at the front, "It had been kind to a mama for a long time.", I say that tears were being shed.
http://mainichi.jp/select/today/news/20100313k0000m040142000c.html My Tanaka Kakuei diary An author: Akiko Sato (Sato Well, it works.) Shincho library and 2001 (Shinchosha and 1994) \476 http://www.amazon.co.jp/gp/product/410148631X?ie=UTF8&tag=takumi%5Fshouten-22&linkCode=as2&camp=247&creative=1211&creativeASIN=410148631X - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - I'll borrow this chance and introduce an existence sense of "Akiko Sato" to a young person through the explanation of some blogs:.
"My Tanaka Kakuei diary" An author: Akiko Sato (Sato Well, it works.) Shincho library and 2001 (Shinchosha and 1994) \476 Author's brief summary of career - Kashiwazaki-shi, Niigata hometown. Graduated from Niigata prefectural Kashiwazaki women's middle school. Tokyo female college dropping out. I become Tanaka Kakuei secretary from 1952 (1952) year and after that, play an active part as an integration person in charge of a body politic such as Koshiyama meeting and a related branch office. I supervise "investigating committee of politics and economics" and endeavor after Masaji Tanaka's succession at present.
A diary of a lady who meets Tanaka Kakuei called the rare Prime Minister after the war.
Tanaka Kakuei becomes a congressman by 28 years old.
And there was a writer in a relation close to Tanaka beyond the viewpoint as the social secretary all the while.
Supremacy and a historical origin of Koshiyama meeting.It was also called Tanaka Kakuei's safe turn, but it doesn't stop at that and she's having Tanaka's child.
Tanaka Kakuei becomes a congressman by elementary school graduation, and shows management by excellent memory and small care, and is the person who became the Prime Minister finally, but an impression of the one involved in Lockheed scandal is rather strong.
It'll be a difficult thing that I have gone out of only the elementary school and am living by the political world.
I'm certain that there was various difficulty for the political activity which is dealing with a bureaucrat, a financier and a politician.
This note isn't Tanaka Kakuei's biography.
A diary of the lady who supported Tanaka Kakuei at the shadow thoroughly.
Tanaka is a superman and it's natural to be drawn by a super-good man.
A writer is doing twice's marriage though he does work related to Tanaka.
The first marriage seems to have had no relation to Tanaka Kakuei so much, but I depend on Tanaka after I get married.
But without working, my husband ran to other women, so I divorced.
I did and remarried for a while, but without going well, I divorce.
She was flooded with the political world to the hilt already at the time, and Tanaka became the Minister of Posts and Telecommunications.
The men with the big ability stand around the writer, and it appears, and I'm certain that it was exciting substantial every day.
A writer asked home life to heal loneliness in a far-off country.
They also seem to have wanted the warm family above all.
That led to remarriage.
And an office worker of a first-class company is chosen as a remarriage partner.
I'm certain that a title of a first-class company found to guarantee a life.
But it's impossible to be able to compare the men who stake itself on something and an office worker.
An office worker life will be that it looked ordinary from her every day circled by a politician.
A writer is talking about his husband with an untidy small-scale man, but there should be also cause in writer's correspondence for that.
If there is a writer in common people's life, this marriage would continue.
Because common people are beyond enough by an office worker of a first-class enterprise.
But a minister is seeing much big-name politician in the neighborhood for a writer.
An eye can train a man and I'm certain that I compared the husband with them.
In the long run it was a divorce.
At the time, a writer gives birth to a girl.
The child named Atsuko keeps growing smoothly.
Daughter's birth - that was the moment it was paradise. Even a life is.I thought something important was given.
There was no intention which asks the politician who will have that in the future for recognition. P51 Tanaka Kakuei has a child called Makiko Tanaka between the lawful wife.
Besides there are also 2 children who acknowledge.
I'm not certain that there was a person who doesn't know him to have loved many ladies by various fields by an overt secret.
But a topic about Tanaka Kakuei's child has not come out at all in mass communication then.
Though it was well-known fact who a father of writer's child was of course, it wasn't discussed thoroughly at all.
Indeed such constitution is old, and when I'm an ordinary man, it would be under big fire.
Something in the power is also protected in today.
The life when I have lived can't be denied.
Oh, it's done, and, and, when I lived in territory as politics, the denial can also lead to politician's supported denial.
A writer has fallen into a figure called Tanaka who confused a life as a politician with a personal life.
Tanaka Kakuei is the previous modern people of whom an individual isn't independent.
A writer was the previous modern people, too.
The sense was shared each other there, and the sense followed the immediately public world.
So a writer would be able to finish devoting himself to the role of the shadow while making the physical intercourse a proof of trust.
If there isn't physical intercourse between these men and women, 2 people wouldn't be able to build this much relationship of mutual trust and ill feeling wouldn't be incurred from Makiko Tanaka who is lawful wife's child.
Lockheed scandal isn't having the influence which is so on a relation between 2 people.
In fact, adversity is strengthening a relation between 2 people.
The writer's life is upset by Tanaka Kakuei's dying early.
When the person himself dies, formal on the form is given priority to, and the connection by the intangible affection becomes extinct.
Tanaka says before life, that he doted on Atsuko Sato like my child.
But Makiko Tanaka is a proper heir and the thing which takes Tanaka Kakuei's justice over isn't permitted by Atsuko Sato.
Akiko Sato is being forgot existence in now.
When it's judged from other ones, a relation between 2 people is seen as the ugly one with which official and personal affairs were confused.
But very dense time should pass between 2 people, and I'm certain that it was a life of paradise.
Everyone else has no experiences which trusted each other, cooperated and topped the Prime Minister like this.
For a lady, manNI would be very very full time.
It's being transmitted from this note well that a writer was informing Tanaka Kakuei about absolute trust.
The value as the men and women's love-hate relationship and the public person is different.
Tanaka Kakuei as a politician has much criticism.
But a person's of man doesn't have a word to say but he says that the figure called trusted Tanaka Kakuei was this much happy.
(2003.4.18) http://www.rin-5.net/251-500/275-watashi_tanaka.htm ____________________________________________________________________ And "open" made of a secret of the relations between Japan and the United States making postwar Japanese politics be confused finally by divine protection of a new government as you can see.
In blog in ARTiT, "light article": "Change" http://www.art-it.asia/u/sfztpm/VGQ3rtpFJ7SiYWfc291d/ "Change 2" http://www.art-it.asia/u/sfztpm/qbczBKND8oF94AxprVH1/ Japan and U.S. secret treaty: Knowledgeable person committee report Point (its 1) The "knowledgeable person committee about" a so-called "secret treaty" problem which started on November 27 of last year by entrustment of Okada Katsuya Minister of Foreign Affairs has probed four investigation reports inside the Ministry of Foreign Affairs about "secret treaty" for about 3 months as well as has inspected through original document acquisition and an interview to the person concerned. A point on an investigation report inside the Ministry of Foreign Affairs and a paper of the knowledgeable person committee was gathered. (For a title, both, at that time)<1> the introduction of nuclear weapons secret treaty which is at the time of a security treaty revise for 60 years A secret treaty about a stop is placed with a starting point of 4 secret treaty which became an investigation object some time of the transit of nuclear weapons ship. Fujiyama Aiichiro Minister of Foreign Affairs and MacArthur rice ambassador to Japan make an undisclosed document as "record of discussion" in Japan-US Security Treaty revise negotiations in January, 1960, and I say maybe that this was passage of territorial waters of a transit of nuclear weapons ship and understanding of a secret between the Japan and U.S. which excludes a stop from a target of a charitable work of two governments.
The interest of Japan where a NCND (Neither affirmation nor denial were done about existence of a nuclear weapon.) policy and an antinuclear opinion of USA which makes the nuclear where one be ambiguous are held was identical, and "record of discussion" was made. Passage of a transit of nuclear weapons ship and a stop, preliminary 協The argument stuffed in 60 years concerning whether you made the subject of a discussion wasn't done, but Ohira Masayoshi Minister of Foreign Affairs Reischauer rice ambassador after a while to Japan in 63 "tacit agreement" was formed gradually, and it hardened from 68 to 69. "Tacit agreement" is interpreted as a secret treaty of a broad sense, and task for "the target by which a stop of a transit of nuclear weapons ship is a charitable work" and the Japanese Government which continued false explaining is also taken after that to.
◇ The Ministry of Foreign Affairs 2 made copies of "record of discussion" and documents it seems (only English) were Fujiyama Minister of Foreign Affairs and MacArthur rice ambassador to Japan, and were found. There are no initials by own handwriting on January 6, 60 both, and it seems a copy of an original document. Many denied documents are found about whether there was agreement of the recognition between the Japan and U.S. that passage of territorial waters and a stop of a transit of nuclear weapons ship are excluded from a target of a charitable work by "record of discussion", and it seems in fact said that there was disagreement of recognition.
◇ Knowledgeable person committee In "exchange of notes" which attaches to Japan-US Security Treaty of a revise for 60 years, "The important change in arrangement to Japan of U.S. military and the important change in equipment of the said military (omission) are made a subject of a charitable work with Japan government.", I have that. It's a problem concerning interpretation of "exchange of notes" whether a stop to Japan of American vessel equipped with a nuclear weapon is made the target of a charitable work of Japan and U.S.. "Record of" discussion which depends on Fujiyama Minister of Foreign Affairs and MacArthur ambassador was something to make the meaning of "exchange of notes" clear and became closed by an agreement of Japan and U.S.. But it's difficult to judge as evidence of "secret treaty" only by this description.
It's in 2 item C of "record of discussion", "You don't understand a charitable work to have an influence on arrangement to Japan of U.S. armed forces and the equipment, entry to territorial waters of coming of U.S. military plane and Japan of U.S. navy ship and present procedure about arriving in port to a harbor.", the Japanese side negotiator had no consciousness with the agreement that description is concerned with introduction of nuclear weapons. It seems that the U.S. government regarded a transit of nuclear weapons ship stop as applying of a charitable work, but when I negotiate, there are no traces which made the interpretation the Japanese side clearly.
"For our side, the general (means), and, the record which got the viewpoint where "bringing in" (introduction) is a target of a charitable work and argued "temporary dropping" of a ship airplane in particular also has no memory." (January 27, 68 and memo of the Fumihiko Togo North American head) Togo who carried negotiations as a security section chief is explaining so in 8 years later and the Ministry of Foreign Affairs from a revise.
MacArthur ambassador recognized that a stop problem of a transit of nuclear weapons ship was important to install support of an army, 微 of a problemI knew strangeness and didn't say clearly. The Japanese side is also a document in July and August, 58, and "there is also application in the shipping which enters in Japan specially and an airplane" for a charitable work of introduction of nuclear weapons, and, a policy was written clearly and a problem was recognized.
MacArthur ambassador judged that the Japanese side couldn't help refusing when purchasing from front. Maybe I judged that the side in the US might interpret the side in the US if Japan didn't confirm the responsibility into which the contents of a charitable work are stuffed in the Japanese side which requested a system. A clear record has its back to the wall, but it's being testified that MacArthur ambassador told Prime Minister Kishi Nobusuke, Fujiyama Minister of Foreign Affairs, Yamada Hisanari vice foreign minister and Togo security section chiefs that a stop of a transit of nuclear weapons ship can't be discussed beforehand in later. I know the position of a ship where Fujiyama Minister of Foreign Affairs has a stone during negotiations "from MacArthur ambassador by an interview of Mainichi Newspapers in 81, too for no one. You can't say,", and, it's being stated that it was called. There is no stuffed argument left on record, but when thinking I got a clue, it's logical.
The Japanese side notices an idea on the USA side, maybe a request was told, but I neither request to want you to make a stop of a transit of nuclear weapons ship the subject of a charitable work formally nor take the side in the US out, and I hit upon the composition into which argument wasn't stuffed vaguely. The U.S. government got the NCND policy by which neither affirmation nor denial do existence of the nuclear weapon loaded onto a ship and an airplane. When making a stop the subject of a charitable work temporarily, no American vessel can stop at Japan any more, and Japan-U.S. Security Treaty doesn't consist any more. But when a charitable work isn't necessary to a stop of a transit of nuclear weapons ship, it's difficult from strong antinuclear feeling of a domestic opinion to install clear understanding from the Japanese side. When USA requests it clearly, there is a fear that security revise negotiations suffer a setback. Agreement of the recognition that it's difficult to argue a problem from the front, it seems to have had that.
When making it ambiguous, how does it correspond or isn't it found by the material I tell whether an answer was built up in the government by the Diet? Though there was no clear agreement, Akagi Munenori Minister of State for Defense did the answer the agreement that a charitable work is made the target is.
"Japan and U.S., being the problem that a movement doesn't stick in military way politically respectively for both, and when being done, I pursued neither the side in the US nor our side too far and came today." (同 and memo of the Togo North American head) "I don't pursue too far." it's done each other while being ambiguous. A transit of nuclear weapons ship may stop at a port without charitable works, Japanese Government, well something of it may be denied officially, but I don't protest each other. Such "tacit agreement" was being finished at the time of a security revise.After Odaira Minister of Foreign Affairs on April 3, 63 (mama) and Reischauer ambassador talk with to harden. Prime Minister Ikeda Hayato was the Diet and a stop of a transit of nuclear weapons ship spoke about the gist which isn't admitted, and the side in the US held sense of crisis. Reischauer ambassador reported "He reached the mutual understanding for which it's enough to go the interpretation current as of USA along perfectly." after meeting, but Johnson rice ambassador to Japan explained "For Odaira minister, what (He wasn't here.), can, if, a view couldn't be described." in later according to Togo's memo. An important thing could do agreement of interpretation at the Ohira Reischauer meeting, but Japanese Government is you informed of interpretation on the side in the US clearly, and that I found a possibility that stops without charitable works of a transit of nuclear weapons ship are performed high and didn't take exception actually. Prime Minister Sato Eisaku seems to have been introduced from Reischauer ambassador and not to have taken exception on December 29, 64 according to Togo's memo, too. You presume Reischauer ambassador that to have continued the stops without charitable works of a transit of nuclear weapons ship without being particular about responding to questions in the Diet of the Japanese side.
But a government, "A stop of a transit of nuclear weapons ship is made the target of a charitable work.", explaining was continued by the Diet. By the explanation which is dishonest because I know interpretation on the side in the US, "Because there are no charitable works, a nuclear weapon isn't be equipped with.", even if it's thought to pass the buck around USA, it's inevitable. "Record of" discussion different from the side in the US in interpretation can't be explained officially, by a successive generations government answer, "", I kept thrusting at an obvious lie.
"The external situation which can be put around Japan some, that (well, Rui) continues the present viewpoint until the 如 (every) putting condition with the big fluctuation occurs to recognition of nuclear problem in the country, without other ones" (同 and memo of the Togo North American head) this memo is used for the explanation to that, the successive generations Prime Minister and the Minister of Foreign Affairs, and the Kaifu political power can be even confirmed. It was also to maintain "tacit agreement" with USA after introduction of a three nonnuclear principle in 68, and it hardened.
But, various testimony and documentary discovery quivered "tacit agreement". Laroque retirement rice navy general officer testified "When a transit of nuclear weapons ship put in Japan by its experience, a nuclear weapon wasn't lowered." by American Congress in September, 74.
"You have to be admitted an important government distrust and the fear large to which 困乱 of domestic politics (mama) is invited since pulling it, and establish a considerable measure urgently." (October 21, 74 and memo of the Nobuo Matsunaga treaty head) Odaira Minister of Finance (former foreign minister) receives Laroque testimony and considers to consult with Prime Minister Tanaka Kakuei and remove a stop and passage of a transit of nuclear weapons ship from a target of a charitable work. Understanding and cooperation of the Ford president of the United States who visited Japan were asked. The Ministry of Foreign Affairs is a stone.The concept of bringing in to Japan of a weapon" is made clear, and passage of territorial waters (territorial airspace) of our simple country and the case that a stop isn't included in this temporarily "are fixed", I put the most emphasis to do and considered, but an eye on a day wasn't judged from Tanaka prime minister resignation in December.
Reischauer former ambassador affirms "the understanding by which it's USA that a stop of a transit of nuclear weapons ship doesn't hit bringing in of a nuclear weapon and says applying of a charitable work" by an interview of Mainichi Newspapers in May, 81. A government didn't go out on reconsideration, but many people became going to feel unnaturalness of the explanation. In 91, a Busch government in the US decides about removal of a tactical nuclear weapon from a ship and an airplane. A stop problem of a transit of nuclear weapons ship wasn't the problem which disturbs real relations between Japan and the United States any more by this. Existence of "record of discussion" was pointed out by opening to the public of an American official document in 90 's.
A secret treaty of a broad sense as "tacit agreement" was between the Japan and U.S. two governments, and it appeared at the time of a security revise and hardened in 60 's. The explanation of Japanese Government does the dishonest explanation including a lie from beginning to end, and isn't supposed to match from the angle of the promotion of democracy's principle and national diplomacy. To adjust between the reality of the nuclear deterrent strategy which can be put under the free cold war and the antinuclear feeling of Japan people will take the circumstances which weren't easy into consideration, and should be debated.
<2> secret treaty about a battle campaign in case of Korean Peninsula emergency I say that the undisclosed document which makes the things which admit a battle campaign of U.S. forces in Korean Peninsula emergency without charitable works by security revise negotiations in 60 the contents (so-called "bank minute" or "Korean memorandum") may exist.
"Korean minutes" by Fujiyama Aiichiro Minister of Foreign Affairs found this time and MacArthur rice ambassador to Japan prepare for Korean Peninsula emergency and propose from the side in the US. The Japanese side was also based on influence to Japanese defense and concerned with negotiations, and both recognized as "secret treaty". In Japan, "Japan is involved in the war U.S. forces has begun.", there was a security revise con in a background.
But this secret treaty lapsed actually with Okinawa return agreement in 69. Japan "also makes the U.S. military base use in Okinawa the subject of a charitable work", it's because Prime Minister Sato Eisaku met with negotiations by a policy and expressed a prompt attitude decision concerning a charitable work officially. A well informed person committee concluded "It was something in the past." by the Japan-U.S. Security Treaty re-definition which made more North Korean nuclear crisis in the first half in 90 's a trigger.
◇ The Ministry of Foreign Affairs 2 made copies of "the minutes which are for a security conference conference the 1st time" (Korean minutes) and documents it seems (only English) were Fujiyama Minister of Foreign Affairs and MacArthur rice ambassador to Japan, and were found.There are no initials by own handwriting on January 6, 60, and a date seems an original copy both. The Japanese side was to express externally about the correspondence when being a Korean emergency, by joint statement of Prime Minister Sato and Nixon president of the United States in case of Okinawa return negotiations, and I intended to change this case document.
◇ Knowledgeable person committee When I made the "battle campaign" the United States forces in Japan do from Japan the subject of a charitable work by "bank hauteur exchange of notes" in case of a security revise in 60, Japan and U.S. agreed. When both countries were Korean Peninsula emergency at the same time by closed "Korean minutes", when the United States forces in Japan could sally without Japanese Government and a charitable work, it was confirmed by this investigation that I agreed.
After Prime Minister Kishi Nobusuke talked with MacArthur ambassadors by starting of security treaty revise negotiations, "Japan has" to avoid increasing in the danger involved in a war above more than the current state at the meeting only of the Japanese side attendant, I accentuated with (on October 4, 58, "the Prime Minister and the Minister of Foreign Affairs stayed in Tokyo, ambassador meeting 録 in the US"). The Japanese side was overlooked by the policy with (the same month for 2 days "basic policy about a security adjustment (plan)") "U.S. forces makes something to discuss with Japanese Government beforehand when using a (United States forces in Japan) base like a strategy to handle an invasion to the Far East area besides Japan,". Both countries reached agreement on a final plan of "bank hauteur exchange of notes" on June 26, 59.
But, MacArthur ambassador points out that an ordinary strategy will be a situation of "variety" when the communizing side resumes a battle at Korean Peninsula, at the next month's meeting. I asked to limit to Korean Peninsula emergency and gather a closed document.
MacArthur ambassador forms the appointment I have to discuss beforehand into the Japanese side and doesn't get it "" at the meeting, and, while I referred to the necessity which sallies without charitable works, Prime Minister Kishi, "It was heard for the first time, let's study.", I met with (on July 6, 59, "the Prime Minister and the Minister of Foreign Affairs stayed in Tokyo, ambassador meeting 録 in the US").
It's opposite at the viewpoint with the--by which the domestic effect of the exchange of notes is decreased about the avoided (2) charitable work that the Japanese side leaves a (1) confidential document. The negotiations which gather Korean minutes had a rough passage, were continued by Fujiyama Minister of Foreign Affairs and MacArthur ambassador every day from the second half November and agreed on December 23. A final plan sentence, January 6, 60, Fujiyama Minister of Foreign Affairs and MacArthur ambassador, initials signed their name.
MacArthur ambassador "When military of U.S. forces don't initiate a military battle strategy from Japan immediately at Korean Peninsula, the situation from which the armed attack which violated cease-fire deal can't be turned away can cause a unit of the UN forces." An example in Fujiyama Minister of Foreign Affairs "emergencyYou can use Japanese facilities and lot for the battle campaign it'll be necessary to do immediately by the United States forces in Japan so that a counterattack of the UN forces may become possible to the offensive by the violation of cease-fire deal as external measure,", ( "Korean minutes") Even when Japan changed the side in the US with non-LDP party political power, there is a possibility that I was particular about preparing for Korean Peninsula emergency and exchanging a promised document until the end. Situation in the Korean Peninsula also has the recognition that Japan is important for its safety in the Japanese side, and it's thought to be going to agree after all. It's certain that I also admitted a rice Department of State document in 74 the "secret treaty" proposed from the side in the US first and had understanding that the Japanese side parties concerned of negotiations and a bank government were also entrusted with the character of the secret treaty.
In 69, that Prime Minister Sato answers to Korean Peninsula emergency with a charitable work affirmatively in case of Okinawa return, foreign, I thought Korean minutes to change and negotiated with the side in the US by expressing. "I have to receive conference of course in the battle campaign stolen from an own country territory as sovereign nation." and, from the view point of.
The Aichi Kiichi Minister of Foreign Affairs " (Prime minister statement.) I'd like to promise the same thing as to exempt a charitable work actually." Meyer rice ambassador to Japan "It's difficult to accept something below the understanding in 60." (on July 17, 69, "Aichi minister about Okinawa return problem and Meyer rice ambassador meeting") After that Takemi Shimoda Ambassador to U.S.A is an official telegram to the Aichi Minister of Foreign Affairs on September 19, "It's being something an expression of joint statement should meet mostly as the side in the US, so, it's the large number in the Department of State that you don't have to make a secret agreement.", a remark of a fin rice Department of State Japanese chief director will be reported. By the joint statement which are Prime Minister Sato and Nixon president of the United States on November 21, "A prime minister told Korean safety that Japan was important for its safety.", clear writing. Prime Minister Sato also stated "the policy which decides about the attitude promptly positively to a charitable work as Japanese Government (in case in case of Korean Peninsula emergency)" by a speech. The side in the US estimated Prime Minister Sato's one-sided statement, but clear determination wasn't put between the Japan and U.S. concerning the validity of the Korean minutes.
After a Japanese prime minister expressed the previous attitude, I can't think the side in the US plans for base use without charitable works, and Korean minutes may be thought to have lapsed actually. Actually, Korean minutes were something in the past with a Japan-U.S. alliance relation's becoming close a situation way around the guideline for Japan-U.S. defense cooperation (guideline) and 99 years in 97.
http://mainichi.jp/select/world/news/20100310ddm010010137000c.html]]>Mario A / 亜 真里男<![CDATA[What is Japanese Art 8: Mizuma Sueo (Part 1)]]>
http://www.art-it.asia/u/admin_columns/YKH72BbVJaj8gmPwOMrh
2010-03-13T17:04:39+09:00
Text in Japanese only.
]]>ART iT: Columuns<![CDATA[Western window]]>
http://www.art-it.asia/u/akinss/1Cmy2V40MpctQKwDofhJ
2010-03-13T16:21:02+09:00
Rain stops, and the west-facing sunlight is comfortable.
]]>akinss<![CDATA[Is it probably rare?]]>
http://www.art-it.asia/u/beau-temps/nTxSy8RiQr7WYGfzhcOq
2010-03-13T15:44:29+09:00 Asteroid Pinot.
"It's probably lucky! !,", and, a picture frolicked too much, and too near, became senile.
METAMON where it's Pokemon what it was was the shape of the star that they seem to have imitated.]]>yuri<![CDATA[What is Japanese Art 8: Mizuma Sueo (Part 2)]]>
http://www.art-it.asia/u/admin_columns/jYu3dPyqwxgSQhiXzHLO
2010-03-13T15:34:15+09:00
Text in Japanese only.
]]>ART iT: Columuns<![CDATA[hiyodori]]>
http://www.art-it.asia/u/ab_nishioy/1qYmA5IOky2rdc0eMNHL
2010-03-13T13:51:08+09:00]]>Nishio Yasuyuki<![CDATA[My art and photo works on Flickr.]]>
http://www.art-it.asia/u/tomoenk6/3vAPk14QDdhxbmoM78yf
2010-03-13T13:46:46+09:00
Please take a look in you like. Thanks.
Please write me email question on my art work, and showing/buying.
予約に関するお願い↓
http://www.art-it.asia/u/maisonhermes/K7b842gYnPWihrvVfoU1]]>Maison Hermès <![CDATA[Korean Arttist ''Heena Kim'']]>
http://www.art-it.asia/u/visart9999/7XzbouGrAEj9yQtqgIiR
2010-03-13T10:35:42+09:00
She has had many solo shows and group shows in many different cities, including, ’The Weirdest Place’ (Samsung Raemian Cultural Centre, Seoul) 2009, ‘The Tomorrow People’ (Elevator Gallery, London), ‘Climate Change Campaign Event-Auction’ (London), ‘artWorksOpe’n (Artworks Project Space, Barbican Arts Group Trust, London), ‘Inside Out’ (The Fire Station Gallery, Windsor), ‘20/21 International Art Fair’ (Royal College of Art, London) and ‘Overview’ (Elysium Gallery, Swansea, Wales).
She stimulates her imagination and makes characters which are part human, part creature in her painting. Dismantling the human body and joining it with parts of non-humans such as insects and animals. She tries to tangle the lines of fragility which defines the anatomy of fantasy. Medium used and hilarious subject matters attract audiences and stimulate their curiosity.
Chameleons, acrylic on canvas, 50×40cm, 2009
Dear pink, acrylic on canvas, 60×60cm, 2009
Hometown, acrylic on canvas, 80×60cm, 2009
Dear M. C. Escher, Acrylic and collage on canvas,
122×122cm,2009
]]>Oriental VisArt<![CDATA[Production and experimental 2]]>
http://www.art-it.asia/u/ab_yagir/Jvl4uhPBSi7eWmZnKyr9
2010-03-13T09:48:12+09:00 It has been an announcement on verge, but it's the 2nd time of exhibition. (The number of works is small.) when it's good, please come.
Even 3/19-3/21 is in the 1st floor of new study ridge in Kyoto Tokyo National University of Fine Arts and Music (http://www.kcua.ac.jp/access).
The situation seems to change to vanity variously again next year.
I seem to be "the character to which a change is preferred" according to R-CAP (suitable occupation diagnostic test) of a recruit, this year, last year and one with the not quiet situation, how, if, I think. It may be thing asking I don't have.]]>Yagi Lyota<![CDATA[In Groundhog Day, when it passes and is enough.]]>
http://www.art-it.asia/u/wuvyxl/qt0LM72ikCzbH3KUyX9W
2010-03-13T08:27:57+09:00
The TOZO 思 bran when the Groundhog Day also passes and is enough, 吾 also finishes staying in long winter also which doesn't write idle notes here.
The celebratory drink by which last night's going home is since spring alone when it's late.
Fathom spring companionless journey 酒渇求飲.
I should also benefit by the thirst which doesn't cease in eyes.
The other day's facts aren't recorded once more again.]]>妙智奇林堂<![CDATA[Light.]]>
http://www.art-it.asia/u/may168sora/WMyZzudlk5KqHmQo4PY2
2010-03-13T08:19:26+09:00]]>may<![CDATA[The time difference of the sound and reverberation Time lag of the sound and afterglow]]>
http://www.art-it.asia/u/oqzlnh/PU0ajw5zrbMD8IdT1yKY
2010-03-13T06:35:41+09:00 2010.3.2 (Tues.)~~28 (Sun.) 17:00~22:00 (last: 15:00~18:00) Monday 休廊 Access http://www.geocities.jp/weissraum/map/map.html.]]>masa<![CDATA[Response to the question which will be here about future]]>
http://www.art-it.asia/u/rinterada/oGDkKLXdjTSgZytfvFc3
2010-03-13T05:39:20+09:00
A: I just had a gallery in Berlin.
Many excellent artists are in this participant.
I make a group with the medium and hold an exhibition.
A group of the first time is from April 9.
It starts earlier than Koln exhibition.
A small number of people would like to make them develop into an art market of the world somehow or other, and decided to introduce them to the art gallery coming into action worldwide.
It's that it was exhibited here, and it's done for will can enter a work in other Europe and an American gallery.
When going here, the Hajime horn which exhibits a work in Europe will be finished.
Later depends on the power of the work of an artist.]]>BerlinBerlin<![CDATA[Tomorrow's opening "GINZA Francfranc"]]>
http://www.art-it.asia/u/yuming/cPw02iJlWuYsINrS4nXg
2010-03-13T01:19:58+09:00
"Ginza Francfranc" where 1st number of high quality shop and Ginza which is "Francfranc" in Ginza bell beer house" a restaurant equals will be a store is open on Saturday, March 13. ■ Campaign 1■ 3/13 Saturday-3/31 Wednesday Present promotion holding!
1. The person who comes to the store Limitation "Happy Bag" is presented to 100 people of first arrival.
Travel oil is presented to the person buying more than 2. \3,500 (including tax).
The person buying more than 3. \10,000 (including tax) An original tote bag is presented to 100 people of first arrival.
Limitation "Happy Bag" is filled with popular goods much including the original toy I get only at a shop of foreign countries in Francfranc (article not for sale). As soon as it disappears, it's an end, so I overlook this chance and cry!
]]>ゆーみん<![CDATA[Platform]]>
http://www.art-it.asia/u/onomako/6XTcvk1LfgRyWuFqbV0Z
2010-03-13T00:36:27+09:00 Yamanote Line Sugamo station.]]>balance<![CDATA[Artists, born in 1975, in Japan]]>
http://www.art-it.asia/u/visart9999/r16Wkm9I8bxwinLSUPGM
2010-03-13T00:32:48+09:00
‘Sayonara Sankaku’, Acrylic on canvas,
130.3 x 194 cm, 2008, by Shintaro Ohata
‘Face (portrait) 8′, Digital print, translucent film, light box,
H 135 x W 123 x D 20 cm, 2006, by Go Watanabe
‘Plant, Sheet, Bed’, Gelatin Silver Print,
80 x 80 cm, 2009 by Saori Miyake
Another day #20(Two panels), Acrylic, photograph on canvas,
116.7 x 160.6 cm, 2009, by Keisuke Shirota
]]>Oriental VisArt<![CDATA[How do you do?]]>
http://www.art-it.asia/u/kay_y/yaMIGBO6cznNQFtxZqJ1
2010-03-12T23:00:07+09:00 ]]>Kay<![CDATA[Art recommendation in fiscal year 2009]]>
http://www.art-it.asia/u/kappamaki/xYvV0aO6mAGMUlWdqpID
2010-03-12T22:48:59+09:00
The person who also worries in other ones and a violinist Shoji gauze arrow, Kaori.
Ms. movie director Miwa Saikawa and Mr. animation author Mamoru Hosoda were won.
For a winner in the past, Endo Hidehira, Nomura Mansai, Kuraki of Miyato authorities, Tetsuya Kumakawa, Atsushi Aoki, Hideki Togi, a bursting into laughter problem, Kazuo Ono, Hiromi Uehara, Naruhito Yoshioka, Kitagawa Flamm and Fukutake 總 Ichiro, Chiharu Shioda, Otawa Masashi, Shena Ringo and Takehiko Inoue... (, Title abbreviation. I apologize for that by a wonderful and partial taste.).
I think it's a nice thing that a prize does and supports cultural art.
I think no charge wants you to arrange the society which can also be judged by impossibility a little more cheaply so that I may make it easier to visit in national art museum and theater like the Western countries next.
The Agency for Cultural Affairs H.P. http://www.bunka.go.jp/geijutsu_bunka/souzoukatsudou/sensho/21_geijutsu_sensho.html]]>Hana<![CDATA["I'll drink with Mr. peach mosquito."]]>
http://www.art-it.asia/u/bisckd/jN4t6XHbz7aSJCOkfeol
2010-03-12T20:57:54+09:00 An illustration: Dirt Simo Mocha coffee I was my daughter pushing for a long time, and a classified weapon in Oita as dirt Simo Mocha coffee was here also did a fascinating thing.
It was a musician whether you said a petite philosophy person singer or said an arm push singer to a shop curtain, but you didn't play music.
I "will title and drink with Mr. peach mosquito".
<> I'll drink with Mr. peach mosquito. 1.
http://www.youtube.com/watch?v=BC3BwAw8PHk <> I'll drink with Mr. peach mosquito. 2.
http://www.youtube.com/watch?v=pNZr98TSsqI <> I'll drink with Mr. peach mosquito. 3.
http://www.youtube.com/watch?v=1w-HG-n5hBg <> I'll drink with Mr. peach mosquito. 4.
http://www.youtube.com/watch?v=AKYV49rRA34 <> I'll drink with Mr. peach mosquito. 5.
http://www.youtube.com/watch?v=SMI5EivPxfQ They seem to have wanted to set these 5 animations to one sequel actually.
Anyway a peach mosquito princess is drinking wine by this animation.
To pick salami with an ordinary room, a peach mosquito princess is chattering freely, is being absent-minded and is sometimes rising from her seat, drinking wine.
It's recommended the person who sees feels like sitting with a peach mosquito princess while drinking freely likewise, and to see (probably). .
The sense by which these no events happen to what to say for more than 40 minutes is wonderful.
I think this is new member's environment video.
And I felt the very 80 time-like fragrance.
Though youth wasn't sent to the so-called 80 time, my daughter as dirt Simo Mocha coffee sometimes does 80 time-like thing.
It may be the one by which the biggest reason that I concern her for a long time is that.]]>KUTAJA<![CDATA[GEISAI#14 on March 14th (sun.)]]>
http://www.art-it.asia/u/saitotakashi/FROU6c4prjkKNEfexdB3
2010-03-12T20:46:55+09:00
My booth number is "A-079"
This is my travel photo site. Beside making art, I like to do backpacking and take travel photos.
I go/live both San Francisco, USA, and Osaka, Japan. So I take photos of both cities and around, but I want to go other places and take more photos.
]]>Galicias<![CDATA[Tomoe Nakamura Fine Arts and Photography]]>
http://www.art-it.asia/u/tomoenk6/V7zKv9uNwJxdYlB0sj2h
2010-03-12T19:41:32+09:00
http://tomoenk6.redbubble.com
This is my portfolio site out of Redbubble. Please take a look. Thank you.
]]>Galicias<![CDATA[Today\'s roof]]>
http://www.art-it.asia/u/akinss/qIevkOdn91Wx37AwBX5h
2010-03-12T17:38:02+09:00
Considering the muck Comfortable feeling.
Some today.
Fluffy.
]]>akinss<![CDATA[Who is Non Existent Youth?]]>
http://www.art-it.asia/u/ab_endom/UbJVdnHAk6I0qsKPfEM5
2010-03-12T17:16:01+09:00
In this article, I wrote about the new regulation setting by Tokyo Prefecture, in which there is a new, strange word 'Non-Existent Youth' as a subject of control. It means pornographic/violent expression using 'youth' in novel, comic and animation will be subject to regulation. This regulation will go through in the next week.]]>遠藤水城<![CDATA[Hara Museum (Tokyo) Lighting System III ]]>
http://www.art-it.asia/u/HaraMuseum/GKdQZFXhRle2YyE3wN6W
2010-03-12T17:14:05+09:00
photo: Osamu Watanabe
The color of the light in the staircase with the large window is programmed to blend beautifully with the changing light from the window. This is done through subtle adjustments made by two types of LEDs by which a soft atmosphere is constantly maintained. Below is the time schedule:
The change between the settings takes for 10 seconds.
Did you notice this?
The exhibition Yang Fudong- The General's Smile is now on view.
http://www.haramuseum.or.jp]]>Hara Museum<![CDATA[Average inn gum.]]>
http://www.art-it.asia/u/beau-temps/uCec9aUQJFqHZKO0A8xm
2010-03-12T17:03:27+09:00 Gum in the bag of Mr. pea Poe.
Attention, oh, gum.]]>yuri<![CDATA[Nagare Satoshi solo show and talk event]]>
http://www.art-it.asia/u/admin_news/OwWx8ncu4rlPiICvsQ27
2010-03-12T13:39:44+09:00Exhibition & event
Marking the publication of his second photo-collection, mind encode, photographer Nagare Satoshi will hold a solo show of the same title in Kanazawa. Born in 1975 and based in Tokyo, Nagare captures the workings and interludes of everyday life in photographs in which loom the artist's self-examination into views of life and death. Nagare's first photo-collection, birds of silence, was nominated for the 2006 Kimura Ihei Award.
In parallel with his art practice, Nagare's commissioned photographs include portraits of artists forART iT and works in the catalogue Konoike Tomoko: Inter-Traveller - People Playing with the Dead. Konoike will join Nagare for a talk on opening day of the show.
Nagare Satoshi mind encode
20 March - 4 April
SLANT (Kanazawa)
Talk: Nagare Satoshi x Konoike Tomoko
20 March, 19:00
http://www.slant.jp/mindencode.html
Nagare Satoshi: mind encode
¥3,990
http://www.hatorishoten.co.jp/free_9_20.html
]]>ART iT: News<![CDATA[Picasso's Muse "the A Life In Art Francoise low retrospective exhibition"]]>
http://www.art-it.asia/u/kappamaki/U5S7pIseVrNoXGQYEuMR
2010-03-12T13:16:22+09:00
It seems that the her retrospective exhibition is performed in Ginza.
I wasn't Shaw of an academy, but the one by which she underwent influence from Picasso or Picasso was affected at her or....
I think maybe there was an interaction.
http://www.chanel-ginza.com/nexushall/2010/gilot/index.html]]>Hana<![CDATA[Galicias sites.]]>
http://www.art-it.asia/u/tomoenk6/KAInuoyC26X5a9q7HigO
2010-03-12T11:47:00+09:00 My works, art, photography
http://www.flickr.com/photos/galicias/collections/72157622713497802/
http://tomoenk6.redbubble.com/
Blog, art, travel photographs.
http://alexandtomosstudio.blogspot.com/
http://tomostravelphotos.blogspot.com/
]]>Galicias<![CDATA[perspective and technology: Harun Farocki and others]]>
http://www.art-it.asia/u/ab_shikatay/OLhsC1pyzfU8XQPd7b26
2010-03-12T10:26:23+09:00Shikata Yukiko<![CDATA[‘High & dry’ by Ju Young Park]]>
http://www.art-it.asia/u/visart9999/DeUVPsp5Mqov6y7izaOc
2010-03-12T08:08:54+09:00
High and dry, watercolor on paper, 21 X 29.6cm, 2007
]]>Oriental VisArt<![CDATA[☆ Which raised an album "2010 Katsuura"]]>
http://www.art-it.asia/u/kaeru3tyoume/W0M57dHvwVonJcYuCDPf
2010-03-11T23:31:30+09:00 The picture when going to Katsuura in Chiba-ken in February of this year.
The person who likes fish is right or wrong! Please see it! !
The comment and the mailing are casual. .]]>☆蛙３丁目☆<![CDATA[French art Order of Cultural Merit in Beat Takeshi Kitano]]>
http://www.art-it.asia/u/sfztpm/3eUYkQOC8soRtHaf6z2Z
2010-03-11T22:00:27+09:00
Than wikipedia:.
Original work novel [edit] It's fierce with its physique modeled after the real father who makes Osaka in 1930 's a stage, and is an author, and after that is a boiled fish paste manufacturing industry of the man who could also be afraid from wickedness and gold Toshihira (Kim, JUNPYON and ???), success of business by a leech and violence to the true family at its back, "home" is a fall by marriage with a lover at last, the novel which drew one lonely death in North Korea. I won Shugoro Yamamoto prize of the 11th time and was also nominated for Naoki Prize the 119th time after that.
.
Cartoon: It's cartooned by Yu Kozawa. 幻冬舎 <幻冬舎comics> and 2004, all 3 reels.
[Notice 篇] heart's blood and bone http://www.youtube.com/watch?v=6oJ4gRVnmf8 But, you refer in the next article:.
On the 9th, the best chapter KOMANDORU of a French art Order of Cultural Merit was conferred on Kitano Takeshi director in the Japanese movie world (63). The decoration which is the 2nd following Chevalier in 99. To attend an opening of the screening party of the complete works items held at Museum of Contemporary Art Gorges Pompidou cultural center of Paris from 11 days to 3 months, Kitano director was staying at the site and received a decoration directly from Mitterrand cultural look.
"The man arrives fiercely" in 89, please, director debut. A gold lion prize of an Italian Venetian international film festival (top prize) is won by "HANA - BI" in 97. "Kikujiro's summer" was exhibited in the competition class of the southern French Cannes international film festival in 99. I participate in the said film festival as an actor by "Merry Christmas in" a field which is Ojima beach supervision (77) for 83 years, too.
An exhibition of works of fine arts is also scheduled at an art museum in the city in addition to the special story showing entitled "rebellious child and Takeshi Kitano" from the 11th, and "artist and Takeshi Kitano" seem to be in the limelight.
There is 3 stages of French art Order of Cultural Merit with "KOMANDORU (chivalry chief)" "OFISHIE (officer)" "Maurice Chevalier (rider)". After (75) and others receive KOMANDORU from Mr. late Kenzo Akashita, the architect, in 02 in 96 by Japanese Mr. Oe Kenzaburo, the Nobel prize author.I'm here. (SUPONICHI) Beat Takeshi Kitano in Paris, Commander of the Order of the Arts and Letters Today's Japan Times: Kitano awarded French arts honorPARIS (Kyodo) At a ceremony Tuesday in which the French culture minister lauded him for bringing spontaneity and a message of freedom to his big-screen productions, France conferred on Japanese film director Takeshi Kitano its highest honor for arts and culture.
" I have developed a longing for Paris, the cultural center. (Receiving this decoration) is like a dream," said a joyous Kitano on being named a Commander of the Order of the Arts and Letters. "I feel uneasy about whether I merit this honor, but I'll make my best efforts at being worthy of it." Culture Minister Frederic Mitterrand, who bestowed the award at the Fondation Cartier museum, also said the 63-year-old director's works have extraordinary creativity and they made him aware of human diversity.
The museum will be showing Kitano's artworks to the public from Thursday through Sept. 12. Ahead of the award ceremony, Kitano gave Mitterrand a tour of his works at the foundation.
His films will also be screened at the Centre Pompidou museum in Paris for three months from Thursday.
Kitano, also a comedian under the name Beat Takeshi, debuted as a film director in 1989 with "Violent Cop." He won the Golden Lionfor best movie at the Venice Film Festival with "Hana-bi" in 1997.
In 1999, "Kikujiro" was selected to compete at the Cannes Film Festival and the French government decorated him with the honorary title of Chevalier the same year.
http://search.japantimes.co.jp/cgi-bin/nn20100311a6.html]]>Mario A / 亜 真里男<![CDATA[Gallery Espace presents ‘A Cry from the Narrow Between’]]>
http://www.art-it.asia/u/shilpa03/gCoWkJlEPrT8dnqRNZza
2010-03-11T17:12:11+09:00
New Delhi: Two young artists at the forefront of their respective generations in the contemporary art scenes of India and China explore power, eroticism, passion and violence through their multi-media artworks. While Mumbai-based artist Tejal Shah depicts the fantasies visualized by LGBTQI (Lesbian, Gay, Bisexual, Transgender, Queer, Questioning and Intersex) people; Beijing-based artist Han Bing on the other hand explores the boundaries between profane and sacred; eroticizing ordinary, everyday objects—especially tools of manual labour, construction, and sources of sustenance.
Says Renu Modi, Director, Gallery Espace: “Both Tejal Shah and Han Bing through their multi-media artworks which includes photography, video installation, text-based works, sound works and performance art attempt to modernize, urbanize and discipline unruly populations that transgress the dominant social norms.”
TEJAL SHAH
• Three large scale photographic series: The first photograph titled The barge she sat in, like a burnished throne/Burned on the water is about Laxmi, a very well known hijra and human rights activist based in Mumbai who had expressed the wish to become like Cleopatra. The second photograph, Southern Siren – Maheshwari is also about a hijra called Maheshwari in Mumbai who expressed a desire to become a South Indian film star and see herself in a song and dance sequence, romancing the hero and to be romanced by him in return. The third photograph You too can touch the moon - Yashoda with Krishna portrays Malini’s desire to be a mother by using Raja Ravi Varma’s painting ‘Yashoda with Krishna’ as a reference point.
• 40 small scale bazaar-framed photos in 5x7, 6x8 and 8x10 size from behind the scenes of the shoots of the above large scale works.
• Sound installation with text based works titled “What are You?” – Moving casually between staged performances, documentary, music video and appropriation, these portraits direct the viewer’s attention to the physicality of several members of the hijra (transgender) community in the red-light district of Mumbai. The film moves into the documentation of one individual’s experience of the gender reassignment process and concludes with slow dancing bodies moving with colorful, neo-op, go-go patterns inviting the viewer to the life embracing vitality of this community. The installation includes four beds, which are based on those found in local brothels arranged barrack style and painted in a distressed mauve finish.
HAN BING
• Live performance on March 12, 2010: Titled Dreams of a Lost Home: Mating Season, No. 12; Han Bing will be joined by local people in this live art performative intervention that will take place in the centre of the market, just outside Gallery Espace. Han Bing questions the idea that the urbanization and "modernization" of society as unproblematic "progress," and reminds us of what is lost or destroyed to make way for the new. Holding chunks of rubble from demolished buildings, between clumps of cotton from quilts, and coils of somber, curling smoke from incense, Han Bing and local participants lie dreaming of their lost homes and estranged ways of life, and the cold, impersonal distances that the modern city and lifestyle has created between people.
• Photographs: The artist will be showing performance photography from his Mating Season (2001) and Love in the Age of Big Construction (2006) series.
• Video: Titled Love in the Age of Big Construction, the artist asks the viewer to consider the rural people (whom we address as dirty, low-class and uncivilized migrant labourers) who without educational opportunities, start-up resources, obscene work hours, unsafe conditions and unreliable pay; use their bodies as an altar upon which they offer the nation its fantasy of urbanized modernity but, the city in return has nothing but contempt for them and their sacrifices. Han Bing’s video thus, is a sort of secular prayer to all those construction workers.
]]>Shilpa Abraham<![CDATA[Subscription.]]>
http://www.art-it.asia/u/beau-temps/9oh2zX4jVHNpcvyTtFDO
2010-03-11T15:45:11+09:00 Only once, I went to bird watching in Tanizu tideland in Narashino by influence of a cartoon as "TORIPAN".
The practice by which the back looks at a bird through binoculars from a window? It's being done.
But when it's mistaken for a peep, that isn't liked, so only a lower turf is seeing.
If there are a starling and a dusky thrush, I'm satisfied unpretentiously.]]>yuri<![CDATA[In Osaka.]]>
http://www.art-it.asia/u/ab_aoyamas/9Fb2IV7MJ4rSAB15EHoc
2010-03-11T13:29:53+09:00
It's because it was affected by a work for my 2 friends on the day.
A wonderful picture lies on a studio of Mr. Kazato Akiyoshi, Mr. Koichi Enomoto and them like being proper.
When those are being seen while hearing talk about a work variously, it's being the intention that what it's seems made of oneself, too. If it was a trick of course, it'll be realized later.
You prepare a brush and a paint at Shukichi's studio, and foundation faces the canvas which is done and rises already.
It's also a reason as 、、、 whether it's dangerous to challenge an abstract painting from the beginning, and a motif is set as the ornament of a hoping lady which lay on his studio.
Well, I try to begin to draw, but I'm afraid of the first one stroke. What is it, this tension.
The one stroke because I'm afraid, this time is a pencil for now and makes a draft, and by which it's the beginning.
Favorite color and touch are understood 、、、 possibility by a head, but such one is a paper on a desk.
It's being distant from an ideal one after another. Accumulation of the line which has no confidences. The sign which makes dislike type of picture is 、、、.
The whole screen will be gambled away at a brush resolutely with Shukichi's advice here.
That the whole blurred, roughness went off, and I had the atmosphere. I see.
Without fearing failure this time, I'll look and put a paint in the part thickly.
Because this seemed to have been effective, I'll show off and do some points thickly.
It has been abstraction already as of this.
I didn't know any more what was being drawn, so only a part of a hand of an ornament will be drawn again carefully at least.
I made the picture they seem to prefer something to which.
When it's done any more, the good feeling seems to disappear, so it's made completion here.
Completed picture? It's impossible to show it, here.
At person's studio, big excitement. Two a.m..]]>Aoyama Satoru<![CDATA[How do you do?]]>
http://www.art-it.asia/u/kaishi/LE2rZJ3wRcnbm6xABehz
2010-03-11T12:37:41+09:00
... which raised its heavy lower back finally Though mixi doesn't almost also use it, the blog isn't even renewed so much. .
Such one has been even made. .
Is it used? Isn't it used? ?, it may be stopped right now. .
Happening to ART iT begun by fear filling and.
Please, it is.]]>海市<![CDATA[The Nazis style as fashion]]>
http://www.art-it.asia/u/going/VMcABdrUKfh0TJ7jY6FQ
2010-03-11T11:52:14+09:00
If saying so, a German shepherd was also a German military dog and were you possibly a prisoner of conscience?
This book is the book I disqualified for the Nazis as the fashion and vice, but the reality of the Nazis as a phenomenon is often collecting data, but the pointing out is shallow. Enthusiast's ecology of the Nazis collection in Japan is taken up, and there is also Nazis as a costume masquerade. I'm sub-Cal. mainly, but Wataru game even makes every one comics as a novel, a movie and a parody from a plastic model, a naval uniform and a weapon enthusiast.
The example a key cross of the Nazis was disqualified for by a puncture is given by an overseas case, and it's being introduced that the Nazis of heterodoxy and wild remark-like existence was taken up by a puncture and fashion as a symbol.
Hitler is the impression by which itself isn't searched for so much, human existence, itself, there is a viewpoint awed as something "including something Hitler-like".]]>デザイン室レフ<![CDATA[your making things explict]]>
http://www.art-it.asia/u/may168sora/Lk60FfPBx4ICV9uaQeH5
2010-03-11T11:09:03+09:00 There is a case I'm taking an empty picture, and....
that sometimes encounter various situations.
That's the cloud by which cloud as a beautifully colored cloud is colored... It seems that this cloud is often called by an account of auspices well in Japan.
Of this word as which something which isn't seen is being seen....
"your atomosheric colour atlas/, the color map of the atmosphere you produce" A work wasn't being judged from its eye indeed, but....
the one one imagined from the hues of the word and pictures, etc.
was the colors of such cloud.
The color also seems iridescent by the degree of the sun, and.... I also have the one I say for the weather on the day.
Cloud isn't only white cloud, and..... This, fantastic, there is also a sky.
It can't be seen only and constantly, so.... the person who would like to see be the sky and a friend, please. ]]>may<![CDATA[3/9-10 Hatsu love @London&SAATCHI.]]>
http://www.art-it.asia/u/ab_tezukaa/2liETzdvSrbJL37Asjk0
2010-03-11T09:52:07+09:00
I get tired violently.
There was wonderful news today, so if it'll be mailed to Kentarou right away, it's said that AMANOTCHIFU is also reading a blog, and I'm thankful, YASSU! !, do you write in a comment?
A metamorphosis on some streets was sometimes writing (You thought I didn't pay at all even if it was written in such blog.), and was troublesome and closed, I think it'll open by and by.
Can the person who has the confidence that one isn't abnormal have a right or wrong comment?
Now, I judge IKEMEN, non-IKEMEN, a beauty or non-beauty in 1 second of an Asian zero commas, since it's concerned with a westerner, oh, I don't imagine and think everyone seems able to be an actor and, everyone, cool bad...
Waka orchid! !, and, I thought.
If getting on District Line as POKE-like usual in today's morning (it was living, so, the mouth, half-open), one SUGGOKU KAKKUIIHI spoils, and, SUYOO! !! !, (@_@) Well hands it and is startled, and gets married to this person, I thought.
It's so and you can decide always to see Zillah, to do and not to notice, it's good today indeed! The thing if it's handed and it's for you, which is being seen, BARE, may!
Please, an eye was seeing and was doing dark cancer, and met about three times.
When "DISUKURAIBU" is done by the character, they're the done and a car, oh, a good luck is added, it's divided by two and the back is made expensive while young, and they seem to have put fashionable clothes on.
Which got angry about a parenthesis wonderfully.
If it's with him, do you think a good life can be sent?
Please, if he labored under a delusion, he was getting off at Earl' Court.
Too short love. (About 3 station.) By the way when the multimillionaire's Turkish daughter who wrote it the other day is this afternoon's tuition.
Hey! You can't have your work collection! ?, I'd like to show it to a dad by all means!
The one by which such work has not been judged!
After I'd like to tell to have a dad buy it for me.
How much?Do you eat?
I say so, so is it in GYOGYO-MAJI? I think so and get it and it's good, it's high that oh is big.
When I said so, I was here by the eye to which I say well, but I don't have the word to say which has that expert eye for my dictionary surely.
Conspicuous YOU.
Do you buy it for me really truly?
If it'll be so, I have to call Taki and Mr. Kato immediately! !
It's Wednesday today, so day of an excursion.
Mr. Lou was taking him in SAATCHI GALLERY.
http://www.saatchi-gallery.co.uk/ It's 5 minutes on foot whether you say so from school, BA such trash thinks oh for impressions, and which is red snapper or, they're gathered, and it's the sense. Please, I thought.
It isn't good to say JUPPAHI to seem spicy of course, when homework is being done in SUTABA, its form is the back, and makes a noise noisily and draws with the person who is eating a sandwich while standing up, and is very symbolic, there are also no pieces called fineness! !, and, there is much time when you think, right?
Without knowing something good for life, these people may be here and it may be the one which isn't being asked particularly.
I think so.
Even a sandwich is the really careless taste and, instead of rice, POTECHI, openly and squarely, it comes out and, such feeling.
It was so and you went to SAATCHI today and saw a work briefly, and the same feeling was received, wasn't it?
I think there were excessively much works for such others strangely for a black people, an Asian, an author in the Middle East and them for others.
I'm surprised at that, oh, the work by which crossed one is Mr. Nawa, Mr. Kobuke and Mr. Izumi Kato was exhibited.
Wonderful. Does Japan which can buy me at such place sometime, too come?
SAATCH was being praised or it was being the one which is being disparaged or the feel which isn't understood, but I don't know well actually where does money go out of, and such walloping gallery is free, and whether it's put in, so I think I'll check it a little more.
Half of eye which is already a week.
Really every day, much homework stock and.Please! !, sightseeing can't go at all and! !, if you can take an excursion by this study volume, I'm a really wonderful person.
Now, oh, place overstrain.
I'd like to go to see various ones early.
anyway You may get frustration for an author.
Good night.
.
A preliminary inspection is pulse-pounding in 3/9 Battersea.
There is a preliminary inspection in the room at the place called Battersea from the evening today, and you make it wonderful for some reason throbbingly, and how many minutes does it take from school to the house?
TO or, I was measuring minutely, on the way, all over in which time it's to waver and soon get lost by this for feel.
When Battersea lives there now at any rate, the peace is for a short while rather earlier than waiting at a worrying place, and that also arrives at a paper string, and, that I hang, I took a walk.
Surprisingly, my can Kei (@_@) elder brothers of fine arts are RCA both of two people by the flat a Japanese brother lives for the property unable to rest in peace now, a ceramic, it's said that your younger brother is specializing in an art history, and it's accidental.
A property was so and a Council flat, and a government was going to lend low-income person's purpose in other words the dangerous degree seemed raised, and you made hear the talk with the dangerous Council flat circumference variously from a friend.
The place where I made a preliminary inspection in Swiss Cottage the other day was also a Council flat by all means, dangerous feeling made there wonderful, this place is immediately from a main street, and it's dangerous separately, it wasn't felt.
There is a in-depth problem variously, and this property is reserved now, 美術, when, it can be burned and is it also fun to live there with a brother, well, I think of.
That I'm looking for a property at here, the English society! Japanese and the person who doesn't live there are English improvement!
TO or, you have that, but, the place where Japanese is here already as expected How many, do you think it's conversion DA and I'm relieved?
I speak English at a house separately, and it's better not to expect that it's brought along from the beginning and I think KETA is different from the danger I say in Japan for this danger, so I show off and don't like the place where Japanese is here! I don't think of KA at all so.
By the way.About 25-year-old child is noisy at school.
Moreover Japanese male manners are bad.
And I'm in a foreign country of course, so they seem to cry and there are the case that I feel sick and a case that I think of further down and feel uneasy.
But I'm thinking one after another recently a change in feeling is becoming early.
Today is at this neighborhood. Chao☆]]>Aiko Tezuka<![CDATA[Today\'s glass ball]]>
http://www.art-it.asia/u/anje-glass/Ye9C6bOi5hFxTzvSc1RG
2010-03-11T09:36:01+09:00 ]]>anje<![CDATA[The morning which cleared up]]>
http://www.art-it.asia/u/akinss/Lp7Rlxunihe6IbGoSKW8
2010-03-11T09:13:02+09:00
A cloudy sky liked and did, but I think on a fine day an idea tends to float.
Ryu Itadani and I share a fascination for the City; for the buildings and skyline of Tokyo, old and new. This also explains a lot of the deceptively simple attraction of his colourful urban art: it captures a certain vision of the city. We have just been eating some cheap yakitori over a couple of beers in an underground dining bar in Shibuya full of unhealthy looking, tired but happy salary men. “I see the lines, then I see the colours,” he says, as we step outside , pointing to an unremarkable glass, steel and plastic Shibuya building, which turns out to be a completely surreal construction when you look at it closely. This is a quote he often uses to summarise his art. It’s why architects and designers appreciate his work so much. Some of his biggest successes have been commissions for urban development firms. He did a magical large scale “cartoon” version of Omotesando Hills, that decorated and improved Tadao Ando’s controversial building in 2007, and has done similar work for Sanrio and J-Wave that play with the icons of an idealised Asian skyline.
Shinjuku Park Tower2008 (acrylic and ink on canvas)
He is worried I won’t find this great, albeit grimy, underground place again, but I say I will. I collect places like this too. I met Itadani first in fact after turning up at the artist’s show in the basement of Omotesando Hills during that 2007 commercial breakthrough. He had just started being represented by the Marunouchi Gallery, who have developed a steady fine art profile for the artist. Itadani’s does large scale works that are drawn, then scanned and coloured online. Although difficult to sell to purists, over time his work has found its place in the growing global practice of technologically enhanced crossover design/art. If it’s not buildings, it’s landscapes, or sometimes flowers and vegetation. More recently, he has been experimenting with painting objects in acrylic on little canvas squares – favourite things from a global lifestyle, like Walkers’ Cheese and Onion crisps, Hellman’s mayonaise, or Hoegaarden witbier – a collection of warmly appreciated, random modern acts of consumption from his time abroad.
Things that I like that I hope you like too 2007 (ink jet print)
Itadani’s career is emblematic of the dynamics of Japan’s new generation of returnee artists. He grew up partly in Canada, in a family connected by work to IBM, then moved to start studying art in England, after studying economics at university in Tokyo. His destination was the famous St. Martin’s College in London. “I was impressed how they took you seriously. They’d look seriously at your portfolio, not like at a Japanese art college”. At St.Martin’s Itadani had the freedom to experiment with all kinds of media and methods, only to return to the technique of drawing and colouring he was doing before he went there. In a sense he also became an artist in London, honing skills and a craftman’s professionalism, while a lot of the students around him would rely only on ideas and concepts. “They’d arrive for supervision with just a crumpled piece of paper and an idea. They’d then talk about the work so impressively. But I was embarrassed to do it that way”.
Despite staying 4 years in London, he felt it was important to return to Japan, to connect again culturally with the place. A partial outsider, he also has a certain particular vision of the place, that helps his work combine global and Japanese influences. He cites the key turning point in his technique as when he started working with an Apple Mac – about the time Steve Jobs returned to Apple in 1998, 1999, when Macs became cheaper and easier to use. In a way, the resultant style he has developed combines the pop charm of so much Japanese graphic work, with a certain traditional elegance – that fits the Marunouchi Gallery well. His dealer, Yukihiro Hoshi – who has a background more in modern art, such as Giacometti – has been hugely supportive. He wants the gallery to grow with the artists, and has concentrated for a long time on only a small number of young, highly talented artists from diverse backgrounds. Itadani has travelled with him to major European shows, and gets support for his studio and design operations. It’s a typical Japanese trust based relationship that has seen his prices rise steadily, with prints selling for above Y200,000 each. They are now currently planning the show for the upcoming Tokyo Art Fair in early April.
While it is difficult to make a full living out of art sales only, Itadani has a steady line of commercial design-related commissions that also give his work distinctive visibility. It is all a one-man operation, but similar in some ways to successful groups like Groovisions and Enlightenment, who also cross the art/design line. As well as the work for major corporations, he has done book covers, illustrations for magazines, even special branding designs for snack foods. A series of works were also commissioned for buses in Miyazaki City in Kyushu. He has an uncomplicated attitude about doing this commercial work. It pays for the rest, he says, and it’s all part of the practice. The only drawback is that, in Japan, unlike in countries where everything is a lot cleaner and contract based, it can sometimes be difficult getting paid. The professionalism shows. When I visit his small studio in a one person apartment in Yoyogi Uehara, it is incredibly tidy and organised – a designer’s space, with numerous projects on the go.
Perhaps my favourite work of all is his wonderful rendering of Arakawa’s To-Den tram (top above). The romance of the shitamachi coming alive in vivid multicolour. Itadani, like me, also just loves being in the City. When we’ve met to catch up, and hear about new developments in his part of the Tokyo art and design scene, it is always in some great hidden izakaya or dining spot. How else can someone like me ever get to know about the joys of Hoppy Beer, or how and when to order Shochu, or how good and cheap Tokyo food can get? I might draw the line at another favourite, though – Yoshinoya – for which the late night working Itadani admits to having “an addiction”. Usually we meet late in the evening, it’s my final stop of the day. For Itadani, he hasn’t been up many hours and there’s a long night of intense work ahead. He unlocks and unfolds his portable bike, and heads off back to the studio.
More info:
http://www.ryuitadani.com
ADRIAN FAVELL
http://www.adrianfavell.com]]>adrian<![CDATA[Mickey Mouse's-sora of contents]]>
http://www.art-it.asia/u/bornin1987/kFXDTsvpK5c0Gujg9Nxa
2010-03-11T05:36:21+09:00
For example when Mr. Santa knew that he wasn't here.
That's fact, but when knowing by the fact that I don't want to accept when it's probably possible, everything is not, but the impact when knowing, is quite big. Other people wouldn't have everything, but the person thinks mind is a wonderful storm.
Even if I knew because I was sticking to neither Mr. Santa nor Mickey in particular, there were no impacts so much.
They look like the idol who looks like Mickey who is for Disney loving child, it wasn't understood, but there was something which can get rapturous for me so, too, that anyway existence was it itself and about 5 cups of rice could go.
What will others say, the momentum is incredible, and I bite into a music video every day, always look at a magazine, clip, make it a scrap, stick a poster stickily, practice a guitar, read a word word of lyrics politely and challenge a fan letter, and.
If who are you if what is a target thing?
An idol, a person of a legend, an attracted person, such one.
It matched the immovable status far in itself.
Such, I flowed, went on the United States and thought of. It's of the east coast Boston vicinity by such momentum.
My parents didn't oppose and rode on the waves one has caused in particular.
Why, after the target and focus change and are being probably quite steady in these several years, and but I'm in the status which is immovable even if a personal life will be how different, for people necessary for the immovable status.
Anyway I didn't want to see the inside where it's with all Mickey's wear.
When I nearly came with the chance to see, it was avoided.
But that it's avoided, after it's being done for a while and it's avoided again again.
Such thing occurred frequently.
It wasn't possible to speak about a topic of on the occupation and Mickey away readily any more. It was being done so that everyone disliked it every day every day every day every day at a junior high school high school university. It isn't done at all now.
That's a different personal thing again.
What is on earth bad? How should it be done?
And, after the day when I sob follows wonderful meaning obscurity.
Late at night, yesterday, it was separated.
The chance when they came from that when fear was suspected in itself, unconscious.I noticed that NI was crushed.
Of what's being bad, please, it's itself.
Please, after I notice.
Then.
A person in the contents says the contents of Mickey and then should include and see here, here, please, someone thinks, and has to enter in Mickey, it can't move only by a whole wear.
After I myself think here for the person who is supporting the man who is in Mickey from the viewpoint where I line up and is taking a picture eagerly would like to take a picture, and going around to the side where he helps a picture to come as it was very wonderful feeling in SON neatly with Mickey.
It's breaking.
UHAHA, um Which will throw away leather YO of realized KA breaking (｀ dish´ **)!
-sora RLRLhV9U0kQ]]>KiDs BoRn iN1987<![CDATA[Text in Japanese]]>
http://www.art-it.asia/u/hashimon/P0Tgj81mU5c3MtEqk9Lh
2010-03-11T02:30:00+09:00Makoto Hashimoto<![CDATA[Japanese Artist ‘Miyuki Tsugami’]]>
http://www.art-it.asia/u/visart9999/ndJjm7gTy5rsuEi1UQHA
2010-03-11T01:47:00+09:00
In 1996, She stayed and worked in New York with The ７th Sekiguchi Art Foundation Award(Selected by Akira Tatehata）. She also stayed and worked in Kurashiki, Okayama with the 1st ARKO (Artist in Residence Kurashiki , Ohara) by Ohara Museum of Art in 2005. In 2009, she was selected for ‘Artist File 2009′ and had a chance to show her works at ‘The Annual Show of Contemporary Art exhibition’ sponsored by the National Art Center, in Tokyo. She is one of the talented young Artists in Japan.
Art-life+vol.10 Miyuki Tsugami “24 seasons”
Miyuki
Tentankai
]]>Oriental VisArt<![CDATA[An exhibition has started!]]>
http://www.art-it.asia/u/harukusa/cH3SPJZljaMA1498DTdN
2010-03-11T01:36:46+09:00
From Friday, March 5, until Sunday, April 4 In Ohshima Fine Art, exhibition.
O Wednesdays-Saturday Loggia (only a last day, Sunday loggia) Until o 13 o'clock-nineteen o'clock.
O places: Than Touzai line Kagurazaka station, 5 minutes on foot Than Oedo line Ushigome Kagurazaka station, 7 minutes on foot http://www.ohshimafineart.com/info/ http://www.ohshimafineart.com/exhibitions/ I think it's seen comfortably at a wide gallery.
Please drop in.
※ It's near the station, but if I lose my way, please call a gallery.
]]>春草絵未<![CDATA[James Chen-Feng Kao ]]>
http://www.art-it.asia/u/visart9999/Dh2xfNCdVTE9Bt3ncAHi
2010-03-11T01:09:45+09:00
“I want my work to capture the viewer and take him/her to another place; I provide the impetus for this journey but do not dictate the destination. I have created a pattern called “Skullscape,” which is a tessellation of geometric colour shapes where each shape is an abstraction of the human skull. The ink characters are placed in drawings alongside photo-transferred elements or the Skulls cape pattern to present both an encoded language as well as conceptual stories. The works form character-world glimpses that interact with the audience, and it is through this interaction that the narratives incite and unfold. These glimpses also reflect my self-perceived identity as a constant outsider/stranger, and they are intentionally abstracted and encoded as I am attempting to create an alternative space for the characters, narratives, and viewers to come together”.
He won the prizes from the ‘4th Arte Laguna International Art Prize’, ‘Vermont Studio Center, Artist Grant Offer’ in 2010, ‘The New Contemporaries 2009′, Shortlist, ‘The Florence Trust arts residency’ in London, ‘The Artists & Collectors’ Exchange Bursarie’s, Painting and Mixed Media in 2007 -2008, ’Summer Residency at School of Visual Arts’, in NYC in 2005 .
Enjoy his interesting works!
‘Million Dollar Security’, ink and photo transfer, 152×389cm, 2009
‘Scared of Skullscape’, ink & oil, 2007
‘Skullscape on Character’, oil and acrylic on wood, 55×24x24cm, 2009
‘Skullscape Procession’, ink and oil, 152×345cm, 2009
]]>Oriental VisArt<![CDATA[A time limit is April last ten days Oita limit.]]>
http://www.art-it.asia/u/onomako/tneo0BcHIihgxkmV5D8z
2010-03-10T23:25:14+09:00 The time when the one which exceeds length 400? is cut is a jigsaw. The vibration is noisy and is wonderful and moves slightly and, the tool DAI doesn't like. と切れ which isn't used. . ., a blade is he made in Switzerland.
Brass, with ZUBA.
The best tool when a jigsaw cuts a metal material. A thin board is limited to a jigsaw. However the blade is made in Switzerland as expected.]]>balance<![CDATA[Today's Yasumasa Morimura@ Tokyo Metropolitan Museum of Photography 1/2.]]>
http://www.art-it.asia/u/sfztpm/HC3KhruW4xv7iDJ2QkNn
2010-03-10T21:43:48+09:00
The picture opening is performed by two hours before, and which will be other ones tomorrow, up - load, expected.
.....................................
The previous article will borrow this chance, and also does link by this blog: Yasumasa Morimura "It's regarded as an addict dance nude flower." http://www.art-it.asia/u/sfztpm/Mgb0sHmKjuiG3f7YCPlV/ .....................................
Yasumasa Morimura show, something art-in the requiem to whether it's a thing- top of the field Sunday, May 9, Thursday->, March 11, 2010 The fine arts person and Yasumasa Morimura it's more consistent from : 80 time more than PR, and who have dealt with a cast of a masterpiece and a picture work of the transformation type self portrait by which one "will be" cinemactress. The new series by which Morimura acts "the 20th century men" at this show<,somethingI'llintroducearequiemtowhetherit'sathing> by a full version.
Though the 20th century is the history men have constructed, have contested and have destroyed, the value of "something masculine" is going to be forgot rapidly in the 21st century today. Yasumasa Morimura expressed the world of the 20th century women who set a blaze free in "fiction" as a movie by a series formerly. a series. Yasumasa Morimura strong in a series and the image which "will transform" itself into a lady in the work released in the past. It's also a new challenge of the self portrait which transcends the nature freely through the medium of the body and pursues a possibility of "me" to become "men".
"We live through the 21st century at present. But this 21st century never seems to be the century of the dream people imagined. Though the mankind can think of this 21st century in whether he's dashing precipitately. The 20th century which is the previous century is made a vacant lot by a bulldozer and 20 centuries-like memory is forgot, and thinks the 21st century is being finished one after another on it. I'm here.It was so and steps were stopped once, and when I'd like to look back to the 20th century, thought "Was this OK?" I'd like to catch history as the "connection" how is the past inherited at present, and how to deliver that in the future, not to deny the past and make the future. And I thought I'd like to call this interest "requiem = prayer".", (Yasumasa Morimura) Requiem (requiem). That's the act I try to hand the form of the person who passed by an expression of a self portrait and the men who are including and are losing regard to the time and a thought that a single fine arts person called Yasumasa Morimura transfers a memory of history to the capacity as his body down to which in the 21st century. What kind of time was the 20th century? Please enjoy compilation of a new self portrait expression of Yasumasa Morimura who challenges a memory of history.
http://www.syabi.com/details/morimura.html Yasumasa MORIMURA "Requiem for Something - Art at the Summit of the Battlefield" Since the 1980s, Yasumasa Morimura has been producing a series of photographic self-portraits that feature himself dressed up as characters from famous paintings, well-known film actresses and so on. This exhibition showcases his new "Requiem" series in its entirety. These works depict the artist dressed up as a number of famous men from the 20th century.
Using his own body as a vessel for the recreation of historical memory, Morimura's self portraits evoke respect and admiration for the publichies that shaped the 20th century, offering themselves up as a 21st century requiem to these vanished figures.
Something requiem (the parade of a memory/1945 year United States) (detail) A Requiem: Remembrance Parade/1945, USA (detail) 2010 , Gelatin Silver Print, 178 x 135 cm to whether it's a thing New HDTV video "Gift of Sea: Raising a Flag on the Summit of the Battlefield" and 2010, 23 min.
The party landscape of the Tokyo Metropolitan Museum of Photography Something requiem (an unexpected company/1945 year Japan) A Requiem: Unexpected Visitors/1945, Japan 2010, Chromogenic Print, 187,5 x 150 cm to whether it's a thing Sub- Mari man and Yasumasa Morimura.
Than PR of an exhibition of SHUGO ARTS which will start from tomorrow:.
We are now living in the 21st century. But it is not the "dream century" that people imagined it would be. I worry that we have erased our memories of the previous century, the 20th century. We have cleared every last trace of its existence, as though with a bulldozer, and we are now just advancing into the 21st century regardless. What I want to do is stop for a minute, look back at the 20th century and ask, "Isthis good enough?" Instead of building the future on a denial of the past, we need to think in the present about how we can inherit what went before. I decided to approach history as the "glue" that would bind the past with the future. I decided I would give a name to my attempt: "Requiem" A requiem is an expression of respect for the people, times and thoughts that have gone. It is a ceremony to preserve those things in our memories. My requiems are a kind of testimony: "I will not forget you." Yasumasa Morimura (from an interview by the Tokyo Metropolitan Museum of Photography) ShugoArts is pleased to present a solo exhibition for Yasumasa Morimura titled "A Requiem: An Another Story" The exhibition coincides with "A Requiem: Art on top of the battlefield" a major touring exhibition that will commence from March 11 at Tokyo Metropolitan Museum of Photography and tour to Toyota Municipal Museum of Art, Hiroshima City Museum of Contemporary Art and Hyogo Prefectural Art Museum.At ShugoArts, Morimura will exhibit 20 Polaroid photographs as well as works that will not be included in the touring exhibition, and which have never been exhibited before. The four chapters of the "Requiem" series, which started with the Yukio Mishima work and continued through several famous reportage photographs, portraits of Lenin, Che Guevara and other revolutionaries, 20th century artists such as Picasso and Warhol, will be completed with the historical turning point of 1945: in particular, a white flag raised in a war zone, based on the famous photograph of the raising of the Stars and Stripes atop Mount Suribachi on Iwo Jima. In this way, the fast-forgotten 20th century will be embodied by a single artist, and presented as a path to the future.
Some of the 20 Polaroid photographs that were taken during the production of the new Iwo Jima works document the artist's work process, while others contain images very similar to the finished works. In other words, the Polaroid photographs document the very moments that Morimura "became" historical characters or parts of historical scenes. They also convey the depth of his imagination and the process of his thoughts. In this way, we come face to face with the moment of artistic creation. The exhibition at ShugoArts also includes previously unseen large-scale works in which Morimura assumes the identities of famous 20th century artists, such as Andy Warhol and Salvador Dali. These works are closely related to the videos that will be shown at Morimura's touring exhibition. These are uniquely Morimura-esque forms of expression. Without saying too much, he is, after all, an artist who has reinterpreted both photography and video, and created so-called "moving paintings" and "dissolving photographs" in the process. You could say that this exhibition at ShugoArts forms an essential element of Morimura's touring Requiem show.
Born 1951 in Osaka. In 1985, began making self-portrait works. Well-known series of artworksinclude: "Daughter of Art History," based on famous paintings from Eastern and Western art history; "Actress," based on famous characters from films; "An Inner Dialogue with Frida Kahlo," based on Frida Kahlo; and, "Los Nuevos Caprichos," a contemporary parody of Spanish master Goya's series of prints, "Los Caprichos." Major solo exhibitions include: "Daughter of Art History" at Sagacho Exhibit Space, Tokyo (1990); "Rembrandt Room" at Hara Museum of Contemporary Art, Tokyo (1994); "Actress and Art History" at Yokohama Museum of Art, Yokohama and Luhring Augustine, New York (1996); "Self-Portrait As Art History" at Museum of Contemporary Art Tokyo, National Museum of Modern Art, Kyoto, and Marugame Inokuma Museum of Contemporary Art, Kagawa (1998); "Art History ? Yasumasa Morimura" at Fundacion Telefonica exhibit space, Madrid (2000); "The Time with No Name, The Self with No Name" at Chulalongkorn University, Bangkok (2000); "Self-Portraits: An Inner Dialogue with Frida Kahlo" at Hara Museum of Contemporary Art and other venues overseas (2001); "Story of M’s Self-Portraits" at Museum Eki, Kyoto and Kawasaki City Museum (2001); "Yasumasa Morimura: Bi-Class, Be Quiet" at Contemporary Art Museum, Kumamoto, and Yokohama Museum of Art (2007); "Yasumasa Morimura: Requiem for the XX Century. Twilight of the Turbulent Gods” at Galleria di Piazza San Marco, Venice, and Luhring Augustine, New York, etc. (2007). Major group exhibitions include: 43rd Venice Biennale (1988); 10th Sydney Biennale (1996); "Hugo Boss Prize: 1996" at Guggenheim Museum SoHo, New York (1996); 3rd Kwangju Biennale Special Exhibition "Human and Gender," Kwangju (2000); "MASQUERADE: Representation and the self in contemporary art" at Museum of Contemporary Art, Sydney (2006); "Prospect.1 New Orleans" at Louisiana State Museum, Louisiana (2008); Busan Biennale (2008); and, Prague Triennale (National Gallery in Prague), etc.]]>Mario A / 亜 真里男<![CDATA[Think suddenly.]]>
http://www.art-it.asia/u/bisckd/4GvqVpsLS0DRAUdc8tOr
2010-03-10T21:21:38+09:00 The one a logo of DJ Honda entered, I have not met the person listening to music of DJ Honda with an acquiring person.
The one a logo of DJ Honda entered with the person listening to music of DJ Honda, I have not met an acquiring person.]]>KUTAJA<![CDATA[[Tama Art University] :tamabi.tv]]>
http://www.art-it.asia/s/ArtFilmStand/vslw5em41YTfFk7Wp9XC
2010-03-10T20:24:18+09:00
There was many something which can't be attended yet, but the following lecture was interesting.
When I look back to the previous past a little, there is discovery variously.
I think you could peep at changing one, the one which doesn't change and such hint.
Even though a lecture of a university is also the time which can be carried around, isn't it?
● Cultural theory in the 21st century "new possibility of the expression sound and image" A lecturer: Masakatsu Takagi (picture author and musician) A lecturer: Shinichi Nakazawa (anthropologist/Prof. art department and art anthropology research center general manager of a division) A lecturer: Yuko Hasegawa (curator/art department professor and art anthropology research center staff) The date and time: 2007 year July 21 Saturday 14:00- http://tamabi.tv/lecture/index.htm The person who applies and enters a search from Podcast in iTunes Store is smooth.
An attractive lecture of a university of the world is freed one after another in podcast, but it's really wonderful, isn't it?
When there are some recommendation lectures, please tell me by all means.]]>kanon<![CDATA[exhibition opening at PLAYROOM(Tohru NAKAZAKI+ENDO Mizuki)]]>
http://www.art-it.asia/u/ab_endom/104DrZJdhNTzAcvPqbFk
2010-03-10T19:41:18+09:00遠藤水城<![CDATA[The Tama River art linear project Ending symposium]]>
http://www.art-it.asia/u/ab_shimizut/Da7khHJLECBrAXOW9I2G
2010-03-10T19:37:29+09:00
A city, culture, art and community building welcome the person playing an active part with the various fields and hold the symposium to tell a match for 3 years of an art line this year when the 3rd year is met.
An artist such as author Leon in Hong Kong, CHI and Kouhei Nawa who are Sara, a won and a popular writer of the young people roar produces a work using technology in a small factory in town in an area.
You can see it with a work of about 20 which is permanence and is inlaid in a street already.
I'm waiting for everyone's coming. ?? symposium?
Theme "the role of the enterprise in future community building" An attendant: Masafumi Ota (corporation Tokyu electric railroad railway business head office business integration chief director) Tsuneo Kato (corporation Corporal philanthropy conference executive director director) Toshio Shimizu (the Tama River art linear art director) Tanaka usual elegance (Tokyo Chamber of Commerce and Industry Oda branch chairperson and Tama-gawa art linear chairman) Nakai 検裕 (Tokyo Institute of Technology, graduate school social science and engineering postgraduate course professor) Hizaki Takahiro (Kobe of a corporation? Month hall The president's office section chief Chairperson secretary) The date and time: 200 people/participation no charge receive 14:30 opening /15:00-17:30 capacity: on the day on Saturday on March 20, 2010 A meeting place: A corporation gold sheep Shamoto office building of the company 4F hole (2-8-4, Unoki, Ota-ku) Tokyu Tamagawa line "Shimomaruko station" choice for 1 minute on foot.
?? weekend toque?
Theme "art, the design and the future of the town" An attendant: The 1st copy of toque: Asaba Katsumi (art director and Tama-gawa art linear participation author) The 2nd copy of toque: Leon CHI war + Sara won (the Tama River art linear participation author) Chairman progress: Toshio Shimizu (Tama-gawa art linear art director) The date and time: 2010 year March 22 (moon and 祝) 14:30 opening Toque 1st copy 15:00~15:45 Toque 2nd copy 15:50~16:40 A buffet party 16:45~18:30.
Capacity: 50 people/participation no charge and the day's reception A meeting place: Corporation gold sheep Shamoto office building of the company 4F hole (2-8-4, Unoki, Ota-ku) Tokyu Tamagawa line "Shimomaruko station" choice for 1 minute on foot ?? Tama River art linear project art linear weekend?
A session: Friday, March 19, 2010-March 22 (moon and 祝) A meeting place: All Tokyu Tamagawa line 7 stations (the Tama River, Numabe, Unoki, Shimo-maruko, Musashi-nitta, Yaguchi no Watashi and Kamata) Oda ward Shimo-maruko child park, Ota-ku Tatsuchiya Kuchiminami child park, newly reclaimed rice field shrine, corporation gold sheep company office building of the company, Keihin Electric Express Railway Kuko-sen and other ones Participation author: Asaba Katsumi and atelier one+ Tetsuya Yamasaki, Tetsu Kamitani and Kuroda 征, Taro + Yoshinori Nagatomo, Konoike Tomoko, Kazuhito Sahara, Domoto right beauty, Kouhei Nawa, Harvey Yamaguchi, BE Villon cormorant, Shigenobu Yoshida, REAN CHI and a war+ Sara won, Watanabe 元佳 and des + art and others An art director: Toshio Shimizu (art critic and Gakushuin Women's College professor) The logo design: Asaba Katsumi Sponsorship: Tama-gawa art Rhine project operation committee and NPO corporation Oda community building art support society (asca) joint sponsorship: Tokyo Chamber of Commerce and Industry Oda branch and Oda office of tourism Support: Ota-ku and Hong Kong special administrative administration of a ward 府駐 Tokyo financial trade representative office Seconding: Tokyu Corp., corporation gold sheep company, newly reclaimed rice field shrine, Daigo construction corporation, Shin-Etsu Chemical Co., Ltd. and Nikko cordial corporation Kamata branch office of securities Helping: Tokyo-to art cultural sending business help Cooperation: Tokyo Institute of Technology, Gakushuin Women's College, Mejiro University, foundation Ota-ku industrial development society, Ota-ku shopping area joint association and Daita of a corporation Industrial joint association, Shimo-maruko store meeting, Shimo-maruko trade honor meeting, Ota-ku table tennis union, Akatsuka carved seal plant, corporation TOKKEN, corporation Kitajima 絞 plant, the Tokyo Chamber of Commerce and Industry car corporation, Keihin Electric Express Railway Co., Ltd. and Japan Airport Terminal Co., Ltd. Making cooperation: Corporation UNUMA, limited company 栄伸 industry, corporation KYADETTO and Saito of a corporation Woodworking plant, corporation Shimada plan and corporation Nakagawa chemical Plan cooperation :TOSHIO SHIMIZU ART OFFICE and SOSHIOMYUZE design corporation]]>Shimizu Toshio<![CDATA[The Tama River art linear project Ending symposium]]>
http://www.art-it.asia/u/ab_shimizut/E5gb2eoKi7BWQqAYUt3J
2010-03-10T19:37:29+09:00
A city, culture, art and community building welcome the person playing an active part with the various fields and hold the symposium to tell a match for 3 years of an art line this year when the 3rd year is met.
An artist such as author Leon in Hong Kong, CHI and Kouhei Nawa who are Sara, a won and a popular writer of the young people roar produces a work using technology in a small factory in town in an area.
You can see it with a work of about 20 which is permanence and is inlaid in a street already.
I'm waiting for everyone's coming. ?? symposium?
Theme "the role of the enterprise in future community building" An attendant: Masafumi Ota (corporation Tokyu electric railroad railway business head office business integration chief director) Tsuneo Kato (corporation Corporal philanthropy conference executive director director) Toshio Shimizu (the Tama River art linear art director) Tanaka usual elegance (Tokyo Chamber of Commerce and Industry Oda branch chairperson and Tama-gawa art linear chairman) Nakai 検裕 (Tokyo Institute of Technology, graduate school social science and engineering postgraduate course professor) Hizaki Takahiro (Kobe of a corporation? Month hall The president's office section chief Chairperson secretary) The date and time: 200 people/participation no charge receive 14:30 opening /15:00-17:30 capacity: on the day on Saturday on March 20, 2010 A meeting place: A corporation gold sheep Shamoto office building of the company 4F hole (2-8-4, Unoki, Ota-ku) Tokyu Tamagawa line "Shimomaruko station" choice for 1 minute on foot.
?? weekend toque?
Theme "art, the design and the future of the town" An attendant: The 1st copy of toque: Asaba Katsumi (art director and Tama-gawa art linear participation author) The 2nd copy of toque: Leon CHI war + Sara won (the Tama River art linear participation author) Chairman progress: Toshio Shimizu (Tama-gawa art linear art director) The date and time: 2010 year March 22 (moon and 祝) 14:30 opening Toque 1st copy 15:00~15:45 Toque 2nd copy 15:50~16:40 A buffet party 16:45~18:30.
Capacity: 50 people/participation no charge and the day's reception A meeting place: Corporation gold sheep Shamoto office building of the company 4F hole (2-8-4, Unoki, Ota-ku) Tokyu Tamagawa line "Shimomaruko station" choice for 1 minute on foot ?? Tama River art linear project art linear weekend?
A session: Friday, March 19, 2010-March 22 (moon and 祝) A meeting place: All Tokyu Tamagawa line 7 stations (the Tama River, Numabe, Unoki, Shimo-maruko, Musashi-nitta, Yaguchi no Watashi and Kamata) Oda ward Shimo-maruko child park, Ota-ku Tatsuchiya Kuchiminami child park, newly reclaimed rice field shrine, corporation gold sheep company office building of the company, Keihin Electric Express Railway Kuko-sen and other ones Participation author: Asaba Katsumi and atelier one+ Tetsuya Yamasaki, Tetsu Kamitani and Kuroda 征, Taro + Yoshinori Nagatomo, Konoike Tomoko, Kazuhito Sahara, Domoto right beauty, Kouhei Nawa, Harvey Yamaguchi, BE Villon cormorant, Shigenobu Yoshida, REAN CHI and a war+ Sara won, Watanabe 元佳 and des + art and others An art director: Toshio Shimizu (art critic and Gakushuin Women's College professor) The logo design: Asaba Katsumi Sponsorship: Tama-gawa art Rhine project operation committee and NPO corporation Oda community building art support society (asca) joint sponsorship: Tokyo Chamber of Commerce and Industry Oda branch and Oda office of tourism Support: Ota-ku and Hong Kong special administrative administration of a ward 府駐 Tokyo financial trade representative office Seconding: Tokyu Corp., corporation gold sheep company, newly reclaimed rice field shrine, Daigo construction corporation, Shin-Etsu Chemical Co., Ltd. and Nikko cordial corporation Kamata branch office of securities Helping: Tokyo-to art cultural sending business help Cooperation: Tokyo Institute of Technology, Gakushuin Women's College, Mejiro University, foundation Ota-ku industrial development society, Ota-ku shopping area joint association and Daita of a corporation Industrial joint association, Shimo-maruko store meeting, Shimo-maruko trade honor meeting, Ota-ku table tennis union, Akatsuka carved seal plant, corporation TOKKEN, corporation Kitajima 絞 plant, the Tokyo Chamber of Commerce and Industry car corporation, Keihin Electric Express Railway Co., Ltd. and Japan Airport Terminal Co., Ltd. Making cooperation: Corporation UNUMA, limited company 栄伸 industry, corporation KYADETTO and Saito of a corporation Woodworking plant, corporation Shimada plan and corporation Nakagawa chemical Plan cooperation :TOSHIO SHIMIZU ART OFFICE and SOSHIOMYUZE design corporation]]>Shimizu Toshio<![CDATA[Berlin The second time of Galerie DEN News of a group exhibition.]]>
http://www.art-it.asia/u/rinterada/XZD6V9yGeqB21tQ5i4TK
2010-03-10T18:48:26+09:00
Schedule (temporary) There is a possibility of the change: April 30 - May 10 A place: Galerie DEN Behaimstrasse 8 10585 Berlin Charlottenburg A participant: Omura Yoshiteru Shinsuke Hira Yusuke Hirata Kaori Suzuki Atsuko Minami Shuuhou Kikuchi Keisuke Takeda Takeshi Wakabayashi Anri Okudaira 江, putting Mia (2 people are sounding out other ones.)]]>BerlinBerlin<![CDATA[Today's glass ball]]>
http://www.art-it.asia/u/anje-glass/bYm41qgRMxXNwGcBLSs5
2010-03-10T18:18:01+09:00 Of feelings, I end Such feeling.
http://www.anjeange-glass.com/]]>anje<![CDATA[Motomasa Suzuki "World is yours"]]>
http://www.art-it.asia/u/TSCA_/Jk3EAvq0fxhCOg1ubKm6
2010-03-10T18:00:28+09:00
TSCA is pleased to announce our first exhibition with Suzuki Motomasa, "World is yours".
Tokyo-based sculptor Motomasa Suzuki, born in 1981, graduated from Musashino Art University in 2004. Suzuki assembles hand-carved wooden pieces into anonymous landscapes, spaces that belong to no one and yet, through his acute attention to scale, are transformed into infinite new worlds just for the viewer.
Suzuki's Semi Grand Prix Art Award from Jeans Factory in 2006, juried by Ukawa Naohiro and Morimura Yasumasa, followed by his selection to show in the 11th Okamoto Taro Memorial Award for Contemporary Art Exhibition in 2007 drew attention to his unassuming and unique style. The scenes he carves out, carefully sizing each piece to scale, appear as part of some other world that he has somehow molded into a reality. His works stretch out before the viewer like any common, mundane landscape, and yet possess a character that invites us for a closer look into their world.
For this exhibit, Suzuki constructs sceneries scattered with wooden boxes and signs, places that seems at once both familiar and foreign. Despite knowing that the materials he uses are commonplace, one is left with only a feeling that this is the case.
As a response to an era in which one can access an infinite number of images instantly via the internet, Suzuki chooses to create his images through the slow process of carving wood. This presents the artist with a series of limitations which he in turn finds ways to break free from and, in doing so, opens up a world without boundaries. The objects he creates produce a curious sense of weight; there is another side to these flat surfaces, hidden to the eye, that invites a recollection of memories.
Suzuki's work is reminiscent of building a train set, creating a personal space that brings with it a feeling of belonging and ownership. The anonymous landscape slowly unfolding within the gallery space invites us to become a part of its world, and for that world to become a part of us.
"World is Yours" will be on display through March 27, 2010.]]>Takuro Someya Contemporary Art<![CDATA["Fog Dossier" exhibition at Artsonje Center ]]>
http://www.art-it.asia/u/ab_kyongfa/fsz7yl1DOxr23C4JNTKd
2010-03-10T17:49:41+09:00
http://www.artsonje.org/eng/
]]>Che Kyongfa<![CDATA["Shiro Masuyama work collection 2004-2010"@ contemporary art plant]]>
http://www.art-it.asia/u/yacjuo/UhCyvmoqJAYbEzB3WsaD
2010-03-10T16:51:42+09:00 It's an exhibition after 5 years in Tokyo.
Thank you.
Shiro Masuyama.
-------------------------------------- ?, news of contemporary art plant plan exhibition "the Shiro Masuyama work collection 2004-2010" holding?
-------------------------------------- We'll hold an exhibition by Shiro Masuyama of an artist "the Shiro Masuyama work collection 2004-2010" from Tuesday, March 9, 2010 at contemporary art plant.
Shiro Masuyama develops the project which makes Art invade daily by a caustic wit and the idea that a person was eaten each time, and it's domestic and abroad and the artist which attracts attention widely.
I'm playing an active part internationally using Berlin as a foothold mainly at present.
Then Masuyama announces this exhibition "the Shiro Masuyama work collection 2004-2010" after 2004, and I'll introduce the project to which I have come by the shape as the mini retrospective exhibition.
I'll exhibit the anti-socializing bar where I compel the visitor of "Moving" and an Opening Party who prepared a hidden camera secretly in "Shinjuku Kabuki-cho project" and the door-to-door delivery service which were performed targeted for the general public at the park which is in the middle of the sex culture district to loneliness "Parky Party" and the new design for which one prepared Masuyama especially for this developed exhibition in addition to "artist victim" while living in the installation at a meeting place. Please enjoy the numbers of the project you press for answer daily from the original angle.
The performance as which Masuyama person himself will treat a visitor by "Parky Party" at a meeting place is performed on Saturday, March 13 and Sunday on the 28th.
As an exhibition at contemporary art plant, very, this exhibition which will be also 5 years after in 8 after as an exhibition in Tokyo. Everybody thinks busy time, but I should be very much obliged if you can inspect this chance by all means.
______________________________________ The holding outline ● A session: Tuesday, March 9, 2009-Sunday on the 28th Monday and holiday Tuesday (except for Tuesday of first day) ● time :12:00-19:00 Earth, Japan and 祝 are 12:00-18:00. ※ The● meeting place the closing time becomes late in an event date where: Contemporary art plant Zip 131-0031 1-15-3, Sumida, Sumida-ku, Tokyo ● Entrance: is free for about 3 minutes on foot than※ Tobu Isesaki Line and Higashimukoujima station.
● Question: Contemporary art plant (Takaaki Soga) TEL/FAX 03-5630-3216 Cell phone 070-5013-3820 E-MAIL factory (a) c - a - f. jp HP http://www.c-a-f.jp.
● Shiro Masuyama HP http://shiromasuyama.net/index.html ■ Sponsorship and planning: Contemporary art plant ______________________________________ ■ Event during a session ★ Opening and clothing performance (drink charge): "Parky Party" There is a continuation of the party (charge) after 17:00-20:30※ on Saturday, March 13, and the performance with which Shiro Masuyama will entertain a visitor is also performed at an anti-socializing bar for an opening party and a clothing party "Parky Party" with 12:00-19:00 a couple of days on Sunday, March 28. It's invitation adjustment and please participate any time.
★ Day special event of thank you art: "The art world getting a job seminar of Takashi Shinkawa poetry" March 9 Tuesday 1400-19:00 Interested in the journalist who would like to aim at the curator which would like to be an artist and a guarantee list,... but I'd like the way not completely satisfactory, and which isn't understood.... The knack and the hint such people point, and for Takashi Shinkawa poetry of a journalist of fine arts to play an active part by giving every possible help and an art circle, personal lesson. I'll take YOROZU consultation. Even if I enter so, I may do personal narrative from beginning to end. After determining on talk leisurely, please participate.
Capacity: About 5 people/charge: No charge/application method: In mailing it please apply. The required time per a person of Shinkawa-t (a) nifty.com ※ depends on the number of people of the subscriber, and a lot of※ subscriber in case of when I decide will be lot.
______________________________________ ◎ The memorial day when March 9 is art every year and day of thank you art!
I counted from 2001 in the first year this year, and it was the 10th time already.
An art event is also performed at various meeting places in March of this year at Mukaishima with contemporary art plant. I'm waiting, am walking and am distributing a map, so try mixing by all means.
Day of Thank you @rt HP http://www.39art.com/ ______________________________________]]>おじんがーM<![CDATA[" Refrain"]]>
http://www.art-it.asia/u/gielab/fWpuasUZibSxIyVFqdGo
2010-03-10T16:17:33+09:00 "Refrain" Kaoru Arima, Yasushi Ogawa, Toshiyuki Kimura and Ota, company Mitsuru and Hanawa commander Ryo March 10-April 3 Wednesday - Saturday (other reservation systems) 12:00 - 19:00]]>ZENSHI2010-03-15T00:00:00+09:00